"It's not late," Steve's voice was thoughtful. "It's not late, but
it's surely very quiet." He stood gazing out into the gloom. "Maybe
I'd best run down and see what ails our soloist to-night. Somehow, the
more I've thought about it, the more I've come to fear that he is
temperamental, Joe--too temperamental, for such a wearing proposition
as this one is likely to be. And you haven't slept much since I've
been gone. Oh, that was easy, just from your eyes! So you'd better
turn in. I'll just stroll down and let them know that I'm back home."
It is odd how much of finality there can be in the quietest of
statements. Eyes narrowed, Joe stood in the middle of the floor and
watched him depart without further objection. But the moment the
blackness had swallowed him up he backed to the bunk, fumbled for the
gun which Steve had tossed upon the blankets, and followed out into the
dark.
Stephen O'Mara stood a long time outside the door of the men's
bunkhouse that night, fingers upon the latch, before he made any move
to enter. But neither a wish to eavesdrop nor a desire to frame,
experimentally, the words he meant to speak was the reason behind that
pause. It was in itself a new thing to find the long, low building
lighted at that hour, even though, as he had himself put it to Joe an
instant before, it was hours from being late. That night the almost
absolute silence beyond the closed door was an even more unusual state
of affairs. The voice of one man only was audible; the words he spoke
indistinguishable altogether. But sudden bursts of laughter,
punctuating the recital which he could not clearly follow, were
indication enough to the man outside of what manner of tale was holding
the ears of that roomful of rivermen. Stephen O'Mara, who had long
ceased to wonder at the discovery in them, of new and impulsive
finenesses which bordered close upon inherent nobility, knew fully as
well how utterly and unspeakably gross could be the premeditated
coarseness of those same men.
There was no movement to mark his entrance when he finally pressed the
latch and swung the door open; not so much as a single glance to
indicate that his presence was noted. Under the yellow light of
flickering oil lamps the eyes of all those scores of gaudy-shirted
figures lounging against the walls were fixed eagerly upon the face of
him who held the middle of their stage--him who talked from where he
half-lay, propped on one elbow, in his bunk at the end of the room.
Harrigan, red-shirted, red-headed, was lounging at case, waiting for
the last gurgle of appreciation to subside, before he gave them the
close of the story--the last titbit, the savor of which already had set
him noisily to licking his lips. And in the doorway Steve, rigid of a
sudden, sensed what that climax was to be.
Public-domain text, read in full here on John Shaqi.
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