261. M. Bayle dilates upon the misfortunes of the great, who are thought to be the most fortunate: the constant experience of the fair aspect of their condition renders them unaware of good, but greatly aware of evil. Someone will say: so much the worse for them; if they know not how to enjoy the advantages of nature and fortune, is that the fault of either? There are nevertheless great men possessed of more wisdom, who know how to profit by the favours God has shown them, who are easily consoled for their misfortunes, and who even turn their own faults to account. M. Bayle [287] pays no heed to that: he prefers to listen to Pliny, who thinks that Augustus, one of the princes most favoured by fortune, experienced at least as much evil as good. I admit that he found great causes of trouble in his family and that remorse for having crushed the Republic may have tormented him; but I think that he was too wise to grieve over the former, and that Maecenas apparently made him understand that Rome had need of a master. Had not Augustus been converted on this point, Vergil would never have said of a lost soul: _Vendidit hic auro patriam Dominumque potentem_ _Imposuit, fixit leges pretio atque refixit._ Augustus would have thought that he and Caesar were alluded to in these lines, which speak of a master given to a free state. But there is every indication that he applied it just as little to his dominion, which he regarded as compatible with liberty and as a necessary remedy for public evils, as the princes of to-day apply to themselves the words used of the kings censured in M. de Cambray's _Telemachus_. Each one considers himself within his rights. Tacitus, an unbiassed writer, justifies Augustus in two words, at the beginning of his _Annals_. But Augustus was better able than anyone to judge of his good fortune. He appears to have died content, as may be inferred from a proof he gave of contentedness with his life: for in dying he repeated to his friends a line in Greek, which has the signification of that _Plaudite_ that was wont to be spoken at the conclusion of a well-acted play. Suetonius quotes it: [Greek: Dote kroton kai pantes hymeis meta charas ktypesate.]