Our most beautiful singers are the wood thrushes; they sing not only in the early morning but throughout the long hot June afternoons. Sometimes they sing in the trees immediately around the house, and if the air is still we can always hear them from among the tall trees at the foot of the hill. The thrashers sing in the hedgerows beyond the garden, the catbirds everywhere. The catbirds have such an attractive song that it is extremely irritating to know that at any moment they may interrupt it to mew and squeal. The bold, cheery music of the robins always seems typical of the bold, cheery birds themselves. The Baltimore orioles nest in the young elms around the house, and the orchard orioles in the apple trees near the garden and outbuildings. Among the earliest sounds of spring is the cheerful, simple, homely song of the song-sparrow; and in March we also hear the piercing cadence of the meadow-lark--to us one of the most attractive of all bird calls. Of late years now and then we hear the rollicking, bubbling melody of the bobolink in the pastures back of the barn; and when the full chorus of these and of many other of the singers of spring is dying down, there are some true hot-weather songsters, such as the brightly hued indigo buntings and thistlefinches. Among the finches one of the most musical and plaintive songs is that of the bush-sparrow--I do not know why the books call it field-sparrow, for it does not dwell in the open fields like the vesperfinch, the savannah-sparrow, and grasshopper-sparrow, but among the cedars and bayberry bushes and young locusts in the same places where the prairie warbler is found. Nor is it only the true songs that delight us. We love to hear the flickers call, and we readily pardon any one of their number which, as occasionally happens, is bold enough to wake us in the early morning by drumming on the shingles of the roof. In our ears the red-winged blackbirds have a very attractive note. We love the screaming of the red-tailed hawks as they soar high overhead, and even the calls of the night heron that nest in the tall water maples by one of the wood ponds on our place, and the little green herons that nest beside the salt marsh. It is hard to tell just how much of the attraction in any bird-note lies in the music itself and how much in the associations. This is what makes it so useless to try to compare the bird songs of one country with those of another. A man who is worth anything can no more be entirely impartial in speaking of the bird songs with which from his earliest childhood he has been familiar than he can be entirely impartial in speaking of his own family.