Theodore Savage: A Story of the Past or the FutureHamilton, Cicely
Science
Theodore Savage: A Story of the Past or the Future
Hamilton, Cicely
Apocalyptic fiction; End of the world -- Fiction; Regression (Civilization) -- Fiction; Science fiction
The unkempt women met their fellow not unkindly. They drew her to the
fire and rubbed her frozen hands; then, while one brought a bowl of
steaming mess, another laid dry moss and heather in the bed-place of her
unfinished dwelling. A protesting baby was wakened from its sleep and
dandled for her comfort and inspection—its mother giving frank and
loud-voiced details concerning the manner of its birth. There was a
rough and good-natured attempt to raise her drooping spirits, and Ada,
fed and warmed, brightened visibly and responded to the clack of
tongues. This, at least, the new world had restored to her—the blessing
of loud voices raised in chatter.... All the same, on the second night
of their new life Theodore, awake in the darkness, heard her sniffing
and swallowing her tears.
“What is it?” he asked and she clung to him miserably and wept her
forebodings on his shoulder. Not only forebodings of her coming ordeal
in the absence of hospitals and doctors, but—was this, in truth, to be
the world? These people—so they told her—knew of no other existing; but
what had become of all the towns? The trams, the shops, the life of the
towns—her life—where was it? It must be somewhere—a little way off—where
was it?... He soothed her with difficulty, repeating his warnings on the
danger of open regrets for the past and reminding her that to-morrow she
also would be called on for the oath.
“I know,” she whimpered. “Of course I’ll taike an oath if I must. But
you can’t ’elp thinking—if you swear yourself black in the faice, you
can’t ’elp thinking.”
“Whatever you think,” he insisted, “you mustn’t say it—to anyone.”
“I know,” she snuffled obediently, “I shan’t say nothing ... but, oh
Gawd, oh Gawd—aren’t we ever going to be ’appy again?”
He knew what she was weeping for—shaking with miserable sobs; the
evenings at the pictures, the little bits of machine-made finery, the
petty products of “devil’s knowledge” that had made up her daily life.
The cry to her “Gawd” was a prayer for the return of these things and
the hope of them had so far sustained her in peril, hardship and
loneliness. Pictures and finery had always been there, just a mile or
two beyond the horizon—awaiting her enjoyment so soon as it was safe to
reach them. Now, in her overpowering misery and darkness of soul, she
was facing the dread possibility that they no longer awaited her, that
the horizon was immeasurable, infinite.... Guns and bombs and
poisons—nobody wanted them and she understood people making up their
minds to do without ’em. But the other things—you couldn’t go on living
without the other things—shops and proper houses and railways....
“It can’t be for always,” she persisted, “it can’t be”—and was cheered
by the sudden heat of his agreement, the sudden note of protest in his
voice. The knowledge that he sympathized encouraged her and, with her
head on his shoulder, sniffing, but comforted, she began to plan out
their deliverance.
Public-domain text, read in full here on John Shaqi.
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