Theodore Savage: A Story of the Past or the FutureHamilton, Cicely
Science
Theodore Savage: A Story of the Past or the Future
Hamilton, Cicely
Apocalyptic fiction; End of the world -- Fiction; Regression (Civilization) -- Fiction; Science fiction
Had destiny realized the dreams of her youth and set her to live out her
married life in a shoddy little villa with bamboo furniture, she might
have made a tolerable mother; she would at least have taken pride in the
looks of her children, have dressed them with interest, as she dressed
herself, and tied up their hair with satin bows. Being what she was, she
could take no pride in ragamuffins who ran half the year naked; she
could see no beauty, even, in straight agile limbs which were meant to
be encased in reach-me-down suits or cheap costumes of cotton velveteen.
Thus her naked little ragamuffins—those of them that lived—were apt to
be dirtier, less cared-for, than the run of the dirty village
youngsters. Theodore, in whom the instinct of fatherhood was strong, was
sometimes roused to wrath by her stupid mishandling of her children;
but, on the whole he was patient with her—knowing it useless to be
otherwise. He beat her as seldom as possible and she was looked on by
her neighbours as a woman kindly handled and unduly blessed in her
husband. To the end she remained what she had always been; essentially a
parasite, a minor product of civilization, machine-bred and
crowd-developed—bewildered by a life not lived in crowds and not subject
to the laws of the Machine. To the end all nature was alien and hateful
to her—raw life that she turned from with disgust.... In her last
illness her mind, when it wandered, strayed back into the world where
she belonged; Theodore, an hour before she died, heard her muttering of
“last Bank ’Oliday.”
She died at the end of a long hard winter during which she had failed
and complained unceasingly, sat huddled to the fire and grown weaker;
creeping, at last, to her straw in the corner and forgetting, in
delirium, the meaningless life she had shared with her husband and
children. Death smoothed out the lines in her sullen face; it was
peaceful, almost comely, when Theodore looked his last on it—and
wondered, oddly, if among the “many mansions,” were some Cockney
paradise of noise and jostle where his wife had found her heart’s
desire?
Public-domain text, read in full here on John Shaqi.
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