Theological Essays and Other Papers — Volume 1De Quincey, Thomas
Religion
Theological Essays and Other Papers — Volume 1
De Quincey, Thomas
English essays -- 19th century
But the same capacity belongs to the facts of history. And we
do not mean merely that, from subjective differences in the minds
reviewing them, such facts assume endless varieties of interpretation
and estimate, but that objectively, from lights still increasing
in the science of government and of social philosophy, all the
primary facts of history become liable continually to new theories,
to new combinations, and to new valuations of their moral relations.
We have seen some kinds of marble, where the veinings happened to
be unusually multiplied, in which human faces, figures, processions,
or fragments of natural scenery seemed absolutely illimitable,
under the endless variations or inversions of the order, according
to which they might be combined and grouped. Something analogous
takes effect in reviewing the remote parts of history. Rome, for
instance, has been the object of historic pens for twenty centuries
(dating from Polybius); and yet hardly so much as twenty years have
elapsed since Niebuhr opened upon us almost a new revelation, by
re-combining the same eternal facts, according to a different set
of principles. The same thing may be said, though not with the
same degree of emphasis, upon the Grecian researches of the late
Ottfried Mueller. Egyptian history again, even at this moment,
is seen stealing upon us through the dusky twilight in its first
distinct lineaments. Before Young, Champollion, and the others
who have followed on their traces in this field of history, all
was outer darkness; and whatsoever we _do_ know or _shall_
know of Egyptian Thebes will now be recovered as if from the
unswathing of a mummy. Not until a flight of three thousand years
has left Thebes the Hekatompylos a dusky speck in the far distance,
have we even _begun_ to read her annals, or to understand her
revolutions.
Public-domain text, read in full here on John Shaqi.
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