Generally, in speaking of Southern Europe, it may be affirmed that the idea of heightening any of the grander passions by association with the shadowy and darker forms of natural scenery, heaths, mountainous recesses, 'forests drear,' or the sad desolation of a silent sea-shore, of the desert, or of the ocean, is an idea not developed amongst them, nor capable of combining with their serious feelings. By the evidence of their literature, viz. of their poetry, their drama, their novels, it is an interest to which the whole race is deaf and blind. A Frenchman or an Italian (for the Italian, in many features of Gallic insensibility, will be found ultra-Gallican) can understand a state in which the moving principle is sympathy with the world of conscience. Not that his own country will furnish him with any grand exemplification of such an interest; but, merely as a human being, he cannot escape from a certain degree of human sympathy with the dread tumults going on in that vast theatre--a conscience-haunted mind. So far he stands on common ground; but how this mode of shedding terror can borrow any alliance from chapels, from ruins, from monastic piles, from Inquisition dungeons, inscrutable to human justice, or dread of confessionals,--all this is unfathomably mysterious to Southern Europe. The Southern imagination is passively and abjectly dependent on _social_ interests; and these must conform to modern types. Hence, partly, the reason that only the British travel. The German is generally too poor. The Frenchman desires nothing but what he finds at home: having Paris at hand, why should he seek an inferior Paris in distant lands? To an Englishman this demur could seldom exist. He may think, and, with introductions into the higher modes of aristocratic life, he may know that London and St. Petersburg are far more magnificent capitals than Paris; but _that_ will not repel his travelling instincts. A superior London he does not credit or desire; but what he seeks is not a superior, it is a different, life;--not new degrees of old things, but new kinds of experience are what he asks. His scale of conception is ampler; whereas, generally, the Frenchman is absorbed into one ideal. Why else is it, that, after you have allowed for a few Frenchmen carried of necessity into foreign lands by the diplomatic concerns of so vast a country, and for a few artists travelling in quest of gain or improvement, we hear of no French travellers as a class? And why is it that, except as regards Egypt, where there happens to lurk a secret political object in reversion for France, German literature builds its historic or antiquarian researches almost exclusively upon English travellers? Our travellers may happen or not to be professional; but they are never found travelling for professional objects. Some have been merchants or bankers, many have been ecclesiastics; but neither commercial nor clerical or religious purposes have furnished any working motive,