As respects the _elegance_ of this translation, there is good reason to warn the reader--that much of the Odyssey was let off by-contract, like any poor-house proposal for 'clods' and 'stickings' of beef, to low undertakers, such as Broome and Fenton. Considering the ample fortune which Pope drew from the whole work, we have often been struck by the inexplicable indulgence with which this scandalous partition is treated by Pope's biographers. It is simply the lowest act of self- degradation ever connected with literature. NOTE 3. Some will urge the intolerance of the Greeks for Christians of the Latin Church. But that did not hinder alliances, and ambitious attempts at such alliances, with their Venetian masters in the most distinguished of the Greek houses. Witness the infernal atrocities by which the Venetian government avenged at times what they viewed as unpardonable presumption. See their own records. NOTE 4. It may be remarked, as a general prevailing tendency amongst the great Italian masters of painting, that there is the same conspicuous leaning to regard the gigantic as a vulgar straining after effect. Witness St. Paul before Agrippa, and St. Paul at Athens; Alexander the Great, or the Archangel Michael. Nowhere throughout the whole world is the opposite defect carried to a more intolerable excess than amongst the low (but we regret to add--and in all but the very highest) of London artists. Many things, which the wretched Von Raumer said of English art, were abominable and malicious falsehooods; circulated not for London, but for Berlin, and Dresden, where English engravers and landscape-painters are too justly prized by the wealthy purchasers nor to be hated by the needy sellers. Indeed to hear Von Raumer's account of our water-color exhibitions, you would suppose that such men as Turner, Dewint, Prout, and many others, had no merit whatever, and no name except in London. Raumer is not an honest man. But had he fixed his charges on the book-decorators amongst us, what an unlimited field for ridicule the most reasonable! In most sentimental poems, the musing young gentlemen and ladies usually run to seven and eight feet high. And in a late popular novel connected with the Tower of London, by Mr. Ainsworth, [which really pushes its falsifications of history to an unpardonable length, as e.g. in the case of the gentle victim lady Jane Grey,] the Spanish ambassador seems to us at least fourteen feet high; and his legs meant for some ambassador who happened to be twenty-seven feet high. LORD CARLISLE ON POPE. [1851.]