Theory & History of HistoriographyCroce, Benedetto
Philosophy
Theory & History of Historiography
Croce, Benedetto
Historiography
[1] See pp. 112-116.
III
MEDIEVAL HISTORIOGRAPHY
For the same reason that we must not look upon the beginning of
any history as an absolute beginning, or conceive of epochs in a
simplicistic manner, as though they were strictly limited to the
determinations represented by their general character, we must
be careful not to identify the humanistic conception of history
with the ancient epoch of historiography which it characterizes or
symbolizes--in fact, we must not make historical the ideal categories,
which are eternal. Græco-Roman historiography was without doubt
humanistic, but it was a Græco-Roman humanism--that is to say, it not
only had all the limitations that we have been pointing out, but also
the special physiognomy which such humanism assumes in the ancient
historians and thinkers, varying more or less in each one of them.
Not only was it thus humanistic, but other formations of the same
sort probably preceded, as they certainly followed, it in the course
of the centuries. It is perhaps attractive, but it is also artificial
(and contrary to the true concept of progress), to conceive of the
history of philosophy and of historiography as of a series of ideal
phases, which are traversed once only, and to transform philosophers
into categories and categories into philosophers, making synonymous
Democritus and the atom, Plato and the transcendental idea, Descartes
and dualism, Spinoza and pantheism, Leibnitz and monadism, whittling
down history to the dimensions of a _Dynastengeschichte_, as a German
critic has satirically described it, or treating it according to a
sort of 'line of buckets' theory, as an Englishman has humorously
described it. Hence, too, the view that history has not yet appeared in
the world, or that it has appeared for the first time and by flashes,
in response to the invocations made by the historian and the critic of
the present day. But every thinking of history is always adequate to
the moment at which it appears and always inadequate to the moment that
follows.
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