Yet another consequence of the 'philosophies of history' was the reflourishing of 'universal histories,' in the fallacious signification of complete histories of humanity, indeed of the cosmos, which the Middle Ages had narrated in the chronicles ab origine mundi and _de duabus civitatibus and de quattuor imperiis_, and the Renaissance and enlightenment had reduced to mere vulgar compilations, finding the centre for its own interest elsewhere. The _imagines mundi_ returned with the philosophies of history, and such they were themselves, transcendental universal histories, with the 'philosophy of nature' belonging to them. The succession of the nations there took the place of the series of empires: to each nation, as formerly to each empire, was assigned a special function, which once fulfilled, it disappeared or fell to pieces, having passed on the lamp of life, which must not pass through the hands of any nation more than once. The German nation was to play there the part of the Roman Empire, which should never die, but exist perpetually, or until the consummation of the ages and the Kingdom of God. To develop the various forms of the philosophy of history would aid in making clear the internal contradictions of the doctrine and in ascribing the reasons for the introduction of certain corrections for the purpose of doing away with the contradictions in question, but which in so doing introduced others. And in making an examination of this kind a special place should be reserved for Vico, who offers a 'philosophy of history' of a very complex sort, which on the one side does not negate, but passes by in silence the Christian and medieval conception (as it does not deny St Augustine's conception of the two cities or of the elect and Gentile people, but only seriously examines the history of the latter), while on the other side it resumes the ancient Oriental motive of the circles (courses and recourses), but understands the course as growth and development, and the recourse as a dialectical return, which on the other hand does not seem to give rise to progress, although it does not seem to exclude it, and also does not exclude the autonomy of the free will or the exception of contingency. In this conception the Middle Ages and antiquity ferment, producing romantic and modern thought.[1] But in the romantic period the idea of the circle (which yet contained a great mental claim that demanded satisfaction) gave place to the idea of a linear course, taken from Christianity and from progress to an end, which concludes with a certain state as limit or with entrance into a paradise of indefinite progress, of incessant joy without sorrow. In a conception of this kind there is at one time a mixture of theology and of illuminism, as in Herder, at another an attempt at a history according to the ages of life and the forms of the spirit, as with Fichte and his school; then again the idea realizes its logical ideal