Theory & History of HistoriographyCroce, Benedetto
Philosophy
Theory & History of Historiography
Croce, Benedetto
Historiography
Ranke, which the rapidity of my course of exposition has induced me to
illustrate rather in its negative aspects, causing me, for instance,
to allude solely to the contradictions in the _History of the Popes,_
which is notwithstanding a masterpiece. The cogent quality of the
romantic spirit at its best is revealed in the typical instance of
Taine, who is so ingenuously naturalistic in his propositions and in
the directive principles of his work, yet so unrestrainedly romantic
in particular instances, as, for example, in his characterization of
the French poets or of the Dutch and Italian painters. All this led to
his ending in the exaggerated anti-Jacobin romanticism of his _Origines
de la France contemporaine,_ in the same way that Zola and the other
verists, those verbal enemies of romanticism, were lyrical in all
their fiction, and the leader of the school was induced to conclude
his works with the abstract lyricism of the _Quatre évangiles._ What
has been observed of Taine is to be applied to Buckle and to the
other naturalists and positivists, obliged to be historical against
their will, and to the positivists who became followers of historical
materialism, and found the dialectic established in their house without
being able to explain what it was or whence it came. Not all theorists
of historiography showed themselves to be so resolutely and madly
naturalistic as Bourdeau and one or two others; indeed these were few
in number and of inferior reputation. Eclecticism prevailed among
the majority of them, a combination of necessity and of liberty, of
masses and individuals, of cause and end, of nature and spirit: even
the philosophy of history was admitted, if in no other form, then as a
_desideratum_ or a problem to be discussed at a convenient time (even
though that were the Greek Kalends). Eclecticism, too, presented the
greatest variety, from the low level of a trivial arranging of concepts
in an artificial manner to the lofty heights of interior labour, from
which it seemed at every moment that a new gospel, no longer eclectic,
must issue.
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