younger ones went up and kissed him. He spoke a while to his father,
telling what they proposed to do that evening, but saying his mother
would not be able to materialize. As he was speaking, a little boy stood
by his side. "Here's Harry," cried the children, and they brought their
spirit brother out into the room between them. He seemed to be about
five years old. His father told him to come and speak to me, and he
obeyed, just like a little human child, and stood before me with his
hand resting on my knee. Then a little girl joined the party, and the
two children walked about the room, talking to everybody in turn. As we
were occupied with them, we heard the notes of the American organ.
"Here's Haxby," said Mr. D----. "Now we shall have a treat." (I must say
here that Mr. Haxby was an accomplished organist on earth.) As he heard
his name, he, too, came to the curtains, and showed his face with its
ungainly features, and intimated that he and "Tom" would play a duet.
Accordingly the two instruments pealed forth together, and the spirits
really played gloriously--a third influence joining in with some
stringed instrument. This _séance_ was so much less wonderful than many
I have written of, that I should not have included a description of it,
except to prove that all media do not ply their profession in order to
prey upon their fellow-creatures. The D---- family are only anxious to
avoid observation. There could be no fun or benefit in deceiving each
other, and yet they devote one evening in each week to holding communion
with those they loved whilst on earth and feel are only hidden from them
for a little while, and by a very flimsy veil. Their _séances_ truly
carry out the great poet's belief.
"Then the forms of the departed
Enter at the open door;
The belovéd, the true-hearted,
Come to visit me once more.
* * * * *
With a slow and noiseless footstep
Comes that messenger divine,
Takes the vacant chair beside me,
Lays her gentle hand in mine.
* * * * *
Uttered not, yet, comprehended,
Is the spirit's voiceless prayer.
Soft rebukes, in blessings ended,
Breathing from her lips of air."
Public-domain text, read in full here on John Shaqi.
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