"Is there anyone here who recognizes the name of 'Bluebell'?" repeated
the conductor. "I was once called so by a friend," I said. "Someone is
asking for that name. You had better come up to the cabinet," she
replied. I rose at once and did as she told me, but when I reached the
curtain I encountered "Florence." "My darling child," I said, as I
embraced her, "why did you ask for 'Bluebell'?" She did not answer me,
except by shaking her head, placing her finger on her lips, and
pointing downwards to the carpet. I did not know what to make of it. I
had never known her unable to articulate before. "What is the matter,
dear?" I said; "can't you speak to me to-night?" Still she shook her
head, and tapped my arm with her hand, to attract my attention to the
fact that she was pointing vigorously downwards. I looked down, too,
when, to my astonishment, I saw rise through the carpet what looked to
me like the bald head of a baby or an old man, and a little figure, _not
more than three feet in height_, with Edward Church's features, but no
hair on its head, came gradually into view, and looked up in my face
with a pitiful, deprecating expression, as if he were afraid I should
strike him. The face, however, was so unmistakably Ted's, though the
figure was so ludicrously insignificant, that I could not fail to
recognize him. "Why, Ted!" I exclaimed, "have you come back to see me at
last?" and held out my hand. The little figure seized it, tried to
convey it to his lips, burst into tears, and sank down through the
carpet much more rapidly than he had come up.
Public-domain text, read in full here on John Shaqi.
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