Adultery -- Fiction; Guilt -- Fiction; Murder -- Fiction; Paris (France) -- Social life and customs -- Fiction
For a few days Madame Raquin preserved the use of her hands. She could
write on a slate, and in this way asked for what she required; then the
hands withered, and it became impossible for her to raise them or hold
a pencil. From that moment her eyes were her only language, and it
was necessary for her niece to guess what she desired. The young
woman devoted herself to the hard duties of sick-nurse, which gave her
occupation for body and mind that did her much good.
So as not to remain face to face, the married couple rolled the armchair
of the poor old lady into the dining-room, the first thing in the
morning. They placed her between them, as if she were necessary to their
existence. They caused her to be present at their meals, and at all
their interviews. When she signified the desire to retire to her
bedroom, they feigned not to understand. She was only of use to
interrupt their private conversations, and had no right to live apart.
At eight o’clock, Laurent went to his studio, Thérèse descended to the
shop, while the paralyzed woman remained alone in the dining-room until
noon; then, after lunch, she found herself without company again until
six o’clock. Frequently, during the day, her niece ran upstairs, and,
hovering round her, made sure she did not require anything. The friends
of the family were at a loss for sufficiently laudatory phrases wherein
to extol the virtues of Thérèse and Laurent.
The Thursday receptions continued, the impotent old lady being present,
as in the past. Her armchair was advanced to the table, and from eight
o’clock till eleven she kept her eyes open, casting penetrating glances
from one to another of her guests in turn. On the first few of these
evenings, old Michaud and Grivet felt some embarrassment in the presence
of the corpse of their old friend. They did not know what countenance to
put on. They only experienced moderate sorrow, and they were inquiring
in their minds in what measure it would be suitable to display their
grief. Should they speak to this lifeless form? Should they refrain
from troubling about it? Little by little, they decided to treat Madame
Raquin as though nothing had happened to her. They ended by feigning
to completely ignore her condition. They chatted with her, putting
questions and giving the answers, laughing both for her and for
themselves, and never permitting the rigid expression on the countenance
to baffle them.
Public-domain text, read in full here on John Shaqi.
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