Adultery -- Fiction; Guilt -- Fiction; Murder -- Fiction; Paris (France) -- Social life and customs -- Fiction
Then she kissed the forehead and cheeks of the poor old creature, who
was unable to throw her head backward so as to avoid the embrace. The
cold skin on which Thérèse placed her lips, caused her violent disgust.
She fancied this disgust, like the tears of remorse, would be an
excellent remedy to appease her nerves; and she continued to kiss the
impotent old woman daily, by way of penitence, and also to relieve
herself.
“Oh! How good you are!” she sometimes exclaimed. “I can see my tears
have touched you. Your eyes are full of pity. I am saved.”
Then she smothered her with caresses, placing the head of the infirm
old lady on her knees, kissing her hands, smiling at her happily,
and attending to all her requirements with a display of passionate
affection. After a time, she believed in the reality of this comedy,
she imagined she had obtained the pardon of Madame Raquin, and spoke of
nothing but the delight she experienced at having secured her pardon.
This was too much for the paralysed woman. It almost killed her. At the
kisses of her niece, she again felt that sensation of bitter repugnance
and rage which came over her, morning and night, when Laurent took her
in his arms to lift her up, or lay her down. She was obliged to submit
to the disgusting caresses of the wretch who had betrayed and killed her
son. She could not even use her hand to wipe away the kisses that this
woman left on her cheeks; and, for hours and hours together, she felt
these kisses burning her.
She became the doll of the murderers of Camille, a doll that they
dressed, that they turned to right and left, and that they made use of
according to their requirements and whims. She remained inert in their
hands, as if she had been a lay-figure, and yet she lived, and became
excited and indignant at the least contact with Thérèse or Laurent.
What particularly exasperated her was the atrocious mockery of the young
woman, who pretended she perceived expressions of mercy in her eyes,
when she would have liked to have brought down fire from heaven on the
head of the criminal. She frequently made supreme efforts to utter a
cry of protestation, and loaded her looks with hatred. But Thérèse, who
found it answered her purpose to repeat twenty times a day that she
was pardoned, redoubled her caresses, and would see nothing. So the
paralysed woman had to accept the thanks and effusions that her heart
repelled. Henceforth, she lived in a state of bitter but powerless
irritation, face to face with her yielding niece who displayed adorable
acts of tenderness to recompense her for what she termed her heavenly
goodness.
When Thérèse knelt before Madame Raquin, in the presence of her husband,
he brutally brought her to her feet.
“No acting,” said he. “Do I weep, do I prostrate myself? You do all this
to trouble me.”
Public-domain text, read in full here on John Shaqi.
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