These charming people : $b being a tapestry of the fortunes, follies, adventures, gallantries and general activities of Shelmerdene (that lovely lady), Lord Tarlyon, Mr. Michael Wagstaffe, Mr. Ralph Wyndham Trevor and some others of their friends of the lighter sortArlen, Michael
General
These charming people : $b being a tapestry of the fortunes, follies, adventures, gallantries and general activities of Shelmerdene (that lovely lady), Lord Tarlyon, Mr. Michael Wagstaffe, Mr. Ralph Wyndham Trevor and some others of their friends of the lighter sort
Arlen, Michael
London (England) -- Social life and customs -- 20th century -- Fiction
“By the way, I was quite wrong about Miss Brown’s age, she turns out to
be only eighteen! And when she talks I can quite believe it, not that
she is at all silly or giggly--she still deliciously represses the
giggly part--but because she prefaces a good many of her remarks with an
“Oh!” which sounds exactly as though she had just eaten a piece of
Turkish Delight and had liked it rather a lot. I met her at a dance
given at the hotel the other night. A _Gala Bal_, they called it. A
_Soirée de Gala_. Well, I wandered into the _Gala Bal_, and saw her
sitting in a far corner with her mother, looking very absent-minded, I
thought; and well she might, for the difference between a _Gala Bal_ and
a common-or-garden _Bal_ is that five hundred people are shoved on to a
floor made to hold fifty; and so I sidled across the floor, made my bow
and formed words indicative of a pressing desire to dance with her, all
of which went quite well. It went even better, when, just as we were
about to take the floor, I asked her ‘whether she preferred to be held
by the spine or the liver?’ at which she suddenly gave such a laugh that
various Frenchwomen looked for the first time away from her clothes to
her face, which was a very agreeable contrast to theirs, they having
used powder and what-nots to excess in honour of the _Gala Bal_.
“I suppose you know what a French hotel orchestra is like at playing
dance music? It is very good as an orchestra over meals, very classical
and all that, but what is the use of a fox-trot without saxophones and
drums and little tiddley-bits here and there? One has to be a little mad
to dance a fox-trot, a little mad or a little drunk, but one can’t be a
little mad to the polite strains of an orchestra lead by a _chef
d’orchestre_, which every now and then dries up completely to give the
first violin a chance to be a first violin.
“So we gave up dancing after a while--we had to, anyhow, for the _Gala
Balists_ began dancing in open formation--and I lured her out on to the
terrace with a promise of a lemon-squash: which, however, turned out to
be an orangeade--two straws and a lump of ice, you know--but she seemed
to enjoy it none the less for that. Did she like orangeade? Oh, yes, she
liked orangeade frightfully. Then what to say? I asked her if she liked
dancing.
“‘Oh, yes!’ she said very softly. ‘Why, what else is there!’
“Well, when one comes to think of it, there doesn’t really seem to be
very much else, and so that was that. Later on, however, there turned
out to be skiing. Oh, yes, she liked skiing. Dancing and skiing.... And,
somehow or other, she asked me what I was, and I said ‘Nothing,’ which
is a good deal truer than I like to think. But she said in her soft,
brown way: ‘Oh, how splendid! for I’m nothing, too, so we can be nothing
together.’ That sounded charming at the time, though now I have written
it down there looks something the matter with it. But that girl is quite
beyond me.
Public-domain text, read in full here on John Shaqi.
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