I took a man once to see _The Private Secretary_. I began by enjoying
myself, and ended by feeling ashamed of myself and vexed with the scheme
of creation. That authors should write such plays, that actors should be
willing to degrade our common nature by appearing in them was
explainable, he supposed, by the law of supply and demand. What he could
not understand was how the public could contrive to extract amusement
from them. What was there funny in seeing a poor gentleman shut up in a
box? Why should everybody roar with laughter when he asked for a bun?
People asked for buns every day—people in railway refreshment rooms, in
aerated bread shops. Where was the joke? A month later I found myself
by chance occupying the seat just behind him at the pantomime. The low
comedian was bathing a baby, and tears of merriment were rolling down his
cheeks. To me the whole business seemed painful and revolting. We were
being asked to find delight in the spectacle of a father—scouring down an
infant of tender years with a scrubbing-brush. How women—many of them
mothers—could remain through such an exhibition without rising in protest
appeared to me an argument against female suffrage. A lady entered, the
wife, so the programme informed me, of a Baron! All I can say is that a
more vulgar, less prepossessing female I never wish to meet. I even
doubted her sobriety. She sat down plump upon the baby. She must have
been a woman rising sixteen stone, and for one minute fifteen seconds by
my watch the whole house rocked with laughter. That the thing was only a
stage property I felt was no excuse. The humour—heaven save the mark—lay
in the supposition that what we were witnessing was the agony and
death—for no child could have survived that woman’s weight—of a real
baby. Had I been able to tap myself beforehand I should have learned
that on that particular Saturday I was going to be “set-serious.”
Instead of booking a seat for the pantomime I should have gone to a
lecture on Egyptian pottery which was being given by a friend of mine at
the London Library, and have had a good time.
Public-domain text, read in full here on John Shaqi.
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