“I mean,” I said, “that the writer of books is, generally speaking, an
exceptionally moral man. That is what leads him astray: he is too good.
This world does not come up to his ideas. It is not the world as he
would have made it himself. To satisfy his craving for morality he sets
to work to make a world of his own. It is not this world. It is not a
bit like this world. In a world as it should be, Veronica, you would
undoubtedly have been blown up—if not altogether, at all events
partially. What you have to do, Veronica, is, with a full heart, to
praise Heaven that this is not a perfect world. If it were I doubt very
much, Veronica, your being here. That you are here happy and thriving
proves that all is not as it should be. The bull of this world, feeling
he wants to toss somebody, does not sit upon himself, so to speak, till
the wicked child comes by. He takes the first child that turns up, and
thanks God for it. A hundred to one it is the best child for miles
around. The bull does not care. He spoils that pattern child. He’d
spoil a bishop, feeling as he does that morning. Your little friend in
the velvet suit who did get himself blown up, at all events as regards
the suit— Which of you was it that thought of that gunpowder, you or
he?”
Veronica claimed that the inspiration had been hers.
“I can easily believe it. And was he anxious to steal the gunpowder and
put it on the fire, or did he have to be persuaded?”
Veronica admitted that in the qualities of a first-class hero he was
wanting. Not till it had been suggested to him that he must at heart be
a cowardy cowardy custard had he been moved to take a hand in the
enterprise.
“A lad, clearly,” I continued, “that left to himself would be a comfort
to his friends. And the story of the robbers—your invention or his?”
Veronica was generously of opinion that he might have thought of it had
he not been chiefly concerned at the moment with the idea of getting home
to his mother. As it was, the clothing with romance of incidents
otherwise bald and uninteresting had fallen upon her.
“The good child of the story. The fact stands out at every point. His
one failing an amiable weakness. Do you not see it for yourself;
Veronica? In the book, you, not he, would have tumbled over the mat. In
this wicked world it is the wicked who prosper. He, the innocent, the
virtuous, is torn into rags. You, the villain of the story, escape.”
“I see,” said Veronica; “then whenever nothing happens to you that means
that you’re a wrong ’un.”
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account