They return at evening : $b A book of ghost storiesWakefield, Herbert Russell
Science
They return at evening : $b A book of ghost stories
Wakefield, Herbert Russell
Ghost stories, English
Instead of sinking at once into that ten-fathom-deep slumber to which
a flawless conscience and eighteen strenuous holes entitled him, he
passed into that exasperating border state where detached and leering
images come flocking into one’s head, endlessly and inanely telescoping
one another, composing indefinable patterns, humiliating puerilities,
a state where there is neither the controlled rationality of full
consciousness nor the deliciously serio-comic pantomime of the land
of dreams. “This region,” he decided, “is the nearest approach to an
understanding of that buzzing, wavering kaleidoscope called lunacy,
which the sane person ever reaches. The mind can neither control, nor
quite lose control of, these regurgitations of the memory--for that
is what they must be.” Yet some of these images did not seem to be
derived from the well-stored bins of his remembered experience. For
example, he never recalled having entered long rows of figures--wild,
whirling figures in a heavy ruled ledger. And that girl’s face which
kept getting between his eyes and the ruled lines. He did not remember
having seen anyone like her before. And there she was, sitting near him
in a little enclosed garden, and then back came those figures--into
what a raving rigmarole was he plunged! He woke up fully and sharply
for a moment, and then--his will surrendering--fell into a deep sleep.
Gradually the competing images hardened, and as the confused turmoil of
a swiftly rising sea settles into the orderly march of mighty combers,
they took unto themselves a sequence.
Rows of figures staring out from a book, and then someone standing
beside him and beckoning him. And then that long room and a table at
which two men were sitting with books and papers in front of them, who
looked at him searchingly. It was coming! He sat down on a chair to
which one of these men motioned him. Then the other one began pointing
at more rows of figures on a paper on the table. It was all over! Then
one of the men put down his pencil and looked at him, and that girl’s
face, placid, smiling, gentle, rose and filled the room. A terrible
sense of caged frustration seized him. He walked back to the door and
through it, and found himself flinging clothes into a bag, and then
he looked up, and there was that lovely childish face looking down
so easily at him. A terrible sense of loss--and there he was walking
warily and glancing back down a street beside the sea, and there he was
on his hands and knees creeping across the floor of a moon-lit room. He
reached the window, the moon was pacing rainbow clouds, but what was
that--that shadow flung so silently and so still from the trees? He
crawled back to the bed, and his head was in his hands, and they seemed
to press and force out that girl’s face, radiating love and trust. He
staggered up, and a moment later he felt life choking and twisting from
him.
Public-domain text, read in full here on John Shaqi.
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