They return at evening : $b A book of ghost storiesWakefield, Herbert Russell
Science
They return at evening : $b A book of ghost stories
Wakefield, Herbert Russell
Ghost stories, English
“I’m afraid there are no ‘but’s’ about it. I’ll explain to the Trade
and the reviewers, you hustle up and get the books back; there aren’t
many out yet, and reviewers don’t hurry over poetry.”
* * * * *
Some people may remember a curious little mystery about a book of
poems--it had another title--which was reviewed enthusiastically in
one or two papers, but apparently never published. A few copies are in
existence, and sell for good sums when a collector consents to part.
Mr. Cheltenham destroyed every copy he could get hold of. Perhaps an
impulsive and unnecessary performance, but he felt he could do no
other. Having completed his plans for the withdrawal of the book he
turned to the inspector’s bag and its contents. They were “poems,” as
he had said, the feeblest, most bathetic, utterly commonplace rubbish
on which Mr. Cheltenham in a long and bitter experience had ever cast
his eyes. “It is the poetic fame which I desire,” these words came
back to his mind as he thrust the heap back into the bag. Perhaps he
understood; and “F. Gonesara”? He shrugged his shoulders and took a
taxi to Mr. Kato’s flat in a typical Bloomsbury street.
The Inspector was waiting for him.
“Well?” he said.
“Mr. Walsh,” replied Mr. Cheltenham, “when you have time I have a
story to tell you, one you may not believe, but I think if you _could_
believe it you would be saved a lot of useless work on this case. And
now let’s get the beastly ordeal over.”
“Any time you like, sir. Come with me.” He led the publisher along a
passage and opened a door, and they entered a room. Mr. Cheltenham
recognised it, as he had expected, and when he saw the bed and a
red-stained sheet upon it, he trembled again--and then the Inspector
went forward and drew back the sheet.
THE SEVENTEENTH HOLE AT DUNCASTER
THE SEVENTEENTH HOLE AT DUNCASTER
Public-domain text, read in full here on John Shaqi.
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