The history of the life of the elder Brunel is strangely tinged with romance. He was born in Normandy in 1769, was early intended for the priesthood; but when at the college of Gisors, he would steal away to the village carpenter’s shop, and draw faces and plans, and learn to handle tools; and one day, seeing a new tool in a cutler’s window, he pawned his hat to purchase it. He was next sent to the ecclesiastical seminary of St. Nicaise at Rouen; there, in his play-hours, he loved to watch the ships along the quay; and seeing some large iron castings landed from an English ship, he inquired, Where had they come from? and on being told from England, the boy exclaimed, “Ah, when I am a man, I will go and see the country where such grand machines are made.” On his return home, he continued his mechanical recreations; made musical instruments; and invented a nightcap-making machine, which is still used by the peasantry in that part of Normandy. His father now gave up all hope of his son for the priesthood, and had him qualified to enter the navy, and at seventeen he was nominated to a royal corvette; but while serving there he continued his mechanical pursuits, and made for himself a quadrant in ebony. His ship having been paid off in 1792, Brunel went to Paris, where he nearly fell a victim to the fury of the Revolution; but he escaped to Rouen, and thence fled to the United States, where he landed in 1793. While at New York, the idea of his block-machinery occurred to him. He now executed canal surveys, and designed the Park Theatre, and superintended its erection; he was next appointed chief engineer for New York, and there erected a cannon-foundry, with novel contrivances for casting and boring guns. He left New York in January 1799, and landed at Falmouth in the following March: there he met his early love, Sophia Kingdom, and the pair were shortly after united for life.