Thirteen Years of a Busy Woman's LifeAlec-Tweedie, Mrs. (Ethel)
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Thirteen Years of a Busy Woman's Life
Alec-Tweedie, Mrs. (Ethel)
Alec-Tweedie, Mrs. (Ethel), -1940; Great Britain -- Intellectual life -- 20th century
Still Rhodes did great things, and was it not he who said, “It is a
good thing to have a period of adversity”? Mighty true—but strangely
disagreeable.
Although outwardly so indifferent to everyone and everything, Cecil
Rhodes was not above the vanities. He and a friend of mine had been
boys together, and Rhodes became godfather to one of the latter’s
children, a post which he considered held serious responsibilities. He
wished to make his godson a valuable present. It was the proud parent’s
idea to ask the great African to let the gift be his portrait.
“Of course I will,” said Cecil Rhodes; “arrange the artist and terms,
and tell me when I am to sit, and I’ll go.”
So matters were settled. An artist was asked to undertake the
commission, and one fine day my friend took Rhodes round to the studio
for the first sitting.
The artist decided to paint him side face. Rhodes petulantly refused
to be depicted anything but full face. Discussion waxed warm, and,
naturally, my poor friend felt very uncomfortable. However, the artist,
claiming the doctor’s privilege of giving orders and expecting to be
obeyed, began his work on his own lines.
Cecil Rhodes gave only the first sitting and one other. Then, finding
the picture was really being painted side face, like a child he
became furious. He refused ever to sit again, and on his return from
the studio wrote a cheque for the stipulated sum, and sent it to the
artist, asking him to forward the picture to him as it was.
The brush-man guessed that his object was to destroy the canvas, so,
instead of sending the picture, he returned the cheque. Thus the
portrait—unfinished, indeed, hardly begun—remained hidden away in
the studio; and now that the sitter is dead, it should possess some
interest.
A man who knew Cecil Rhodes very well once told me:
“He was a muddler. I was one of his secretaries. When he went away
we sorted his correspondence, ‘One,’ ‘Two,’ ‘Three.’ ‘One’ included
the letters requiring first attention. ‘Two’ those not so important,
and so on. When he came back from Bulawayo, we gave him the letters.
Three months afterwards, he had never looked at one of them. ‘Leave
them alone, they will answer themselves,’ he said; but that was a most
dangerous doctrine, and sometimes nearly cost C. R. his position.
He made endless enemies through this extraordinary, selfish, lazy
indifference.”
As stated above, Stanley was at this dinner of which I have been
writing, and I often met him later. He always appeared to me shy,
reticent, almost to moroseness on occasions. He was a small man with
white wavy hair, round face, and square jaw, dark of skin—probably more
dark in effect than reality, in contrast to the hair. He was broadly
made and inclined to be stout. His face was much lined, but a merry
smile spread over his countenance at times.
Public-domain text, read in full here on John Shaqi.
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