Thirteen Years of a Busy Woman's LifeAlec-Tweedie, Mrs. (Ethel)
General
Thirteen Years of a Busy Woman's Life
Alec-Tweedie, Mrs. (Ethel)
Alec-Tweedie, Mrs. (Ethel), -1940; Great Britain -- Intellectual life -- 20th century
Then again, _The Times_, that great bulwark of the British
Constitution, receives from fifty to a hundred letters a day for
insertion, out of which only six or eight of the most public interest
can be printed. _The Times_ is a great asset of the country, and proud,
indeed, should be John Walter, the fifth generation. He is Chairman
of the journal founded and maintained by his family at such a high
standard for so many years. He ought to write the true history of _The
Times_, as he alone can.
But there are many and puzzling questions as to the journalism of the
present day.
Why are modern writers so destructive in their ideas? Why are they so
seldom constructive?
Why in politics is everything for pulling down, and nothing for
building up?
Is this the craze of the age? The hypercritical, hypersensitive desire
to destroy everybody and everything, and why, oh why, must we have
veiled advertisements in nearly every column of our minor newspapers?
CHAPTER IX
ON THE MAKING OF BOOKS
Once I thought the grandest thing in the world would be to write a
book. It appeared the acme of desire. To see one’s name on a cover, oh,
the joy of it! I trembled with fear and pride when that wondrous end
was attained. I almost took that first book to bed with me. I wasn’t
very old or very sedate, and so that little volume made me childish
with glee.
Well, I thought to myself, “I’ll never give away a single copy.
If anyone wants it they must get it from a library or spend
three-and-sixpence on it themselves.” I kept to my resolve, because
honestly afraid that if an utterly unknown young writer made presents
of her little venture, kind folk (!) would say she could not sell the
work, so distributed it amongst friends. A year or two afterwards, when
_A Girl’s Ride in Iceland_ had gone through two or three editions, and
appeared on the bookstalls at a shilling, then—but not till then—did
its author feel justified in sending presentation copies, with some
words and her name inscribed on the fly-leaf. This was not churlish,
but reasoned out. Cheap sales of goods mean deterioration; but cheap
editions of books denote the popularity of the originals. On that first
venture I received a ten per cent royalty.
And now after years of labour and experience, so many and great to me
are the hardships, the struggles, the worries, the endless detail and
annoyances of producing a book, that I always feel inclined to take off
my hat figuratively, or drop a curtsey, to every fellow-author.
Strange as it may seem, every volume of mine has caused me sleepless
nights of ever-increasing anxiety. _Hyde Park_, for instance, was
written twice over from cover to cover—a little matter of about a
hundred thousand words, re-arranged and practically rewritten.
Public-domain text, read in full here on John Shaqi.
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