Thirty Strange StoriesWells, H. G. (Herbert George)
Science
Thirty Strange Stories
Wells, H. G. (Herbert George)
Fantasy fiction, English; Science fiction, English; Short stories, English
“Good-bye, Mr. Cummins,” she said.
By a violent effort I controlled myself and touched her hand. I tried to
say some word of explanation to her. She looked into my working face and
winced. “I _must_ do it,” she said hopelessly. Then she turned from me
and began walking rapidly down the gallery.
Heavens! How the human agony cried within me! I loved Delia. But nothing
found expression—I was already too deeply crusted with my acquired self.
“Good-baye!” I said at last, watching her retreating figure. How I hated
myself for doing it! After she had vanished, I repeated in a dreamy way,
“Good-baye!” looking hopelessly round me. Then, with a kind of
heart-broken cry, I shook my clenched fists in the air, staggered to the
pedestal of a winged figure, buried my face in my arms, and made my
shoulders heave. Something within me said, “Ass!” as I did so. (I had
the greatest difficulty in persuading the Museum policeman, who was
attracted by my cry of agony, that I was not intoxicated, but merely
suffering from a transient indisposition.)
But even this great sorrow has not availed to save me from my fate. I
see it, every one sees it; I grow more “theatrical” every day. And no
one could be more painfully aware of the pungent silliness of theatrical
ways. The quiet, nervous, but pleasing E. C. Cummins vanishes. I cannot
save him. I am driven like a dead leaf before the winds of March. My
tailor even enters into the spirit of my disorder. He has a peculiar
sense of what is fitting. I tried to get a dull grey suit from him this
spring, and he foisted a brilliant blue upon me, and I see he has put
braid down the sides of my new dress trousers. My hairdresser insists
upon giving me a “wave.”
I am beginning to associate with actors. I detest them, but it is only
in their company that I can feel I am not glaringly conspicuous. Their
talk infects me. I notice a growing tendency to dramatic brevity, to
dashes and pauses in my style, to a punctuation of bows and attitudes.
Barnaby has remarked it too. I offended Wembly by calling him “Dear Boy”
yesterday. I dread the end, but I cannot escape from it.
Public-domain text, read in full here on John Shaqi.
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