This FreedomHutchinson, A. S. M. (Arthur Stuart-Menteth)
General
This Freedom
Hutchinson, A. S. M. (Arthur Stuart-Menteth)
Marriage -- Fiction; Women -- Social and moral questions -- Fiction
There were, after that, such happy evenings in Keggo’s room. Keggo,
with one to help her, fighting for herself; Rosalie, with one to help,
elevated upon that high happiness that comes with fighting for another.
For a short time there seemed to be no lapses in Keggo’s struggle. When
they came (as Rosalie knew afterwards) the practised cunning of years of
secrecy had no difficulty in concealing them from the unsuspecting eyes
of Rosalie. Ill that it was so! Rosalie was harder when came the lapse
that cunning could not hide. She did not cry. Her eyes were hard. She
said with thin lips, “Why, even all this time you have been deceiving
me!” the which egged on, in that vile way in which exchanges of a
quarrel are as knives sharpening one against the other, Keggo’s enflamed
retort, “The more fool you! Little fool!”
But at first, while the lapses were few and the cunning was equal to
them, only a closer friendship was set afoot between the woman that was
grown and the woman that was burgeoning, and there were such very happy
evenings in the room in Limpen Street. Such jolly talks.
There was one talk that, forgotten with the very evening of its passage,
afterwards very strongly returned to Rosalie and abode with her. It had
in it rather vital things for Rosalie.
She loved to talk about her work with intelligent and sympathetic Keggo,
and she had been on this occasion expounding to her the mysteries and
interest of life insurance: in particular explaining the “romance” of
vital statistics; in particular, again, the curious fact that, though
women in the United Kingdom largely outnumbered men, many more male
children were born than female. The disproportion “the other way about”
in maturity, said Rosalie, was because the death rate among men was much
higher--due to risks of their occupations. “A certain number of house
painters,” said Rosalie sagely, “fall off ladders every year and are
killed; women don’t paint houses, so they don’t fall off ladders and get
killed. Similarly on railways, Keggo. The death rate among railway men
is much higher in proportion, over an average, than the rate in any
other occupation. Porters doing shunting, for instance, are always
getting killed. Well, women don’t shunt trains so they don’t get killed
while shunting trains, so there you are again, so to speak. The thing in
a nutshell, Keggo, is that, by contrast, men lead dangerous lives.”
Keggo, who always was very alert in response, was here very long in
responding. Then she responded an extraordinary thing that Rosalie
afterwards remembered. She said slowly, “Oh, but Rosalie, it’s very
dangerous to be a woman.”
Rosalie questioned her.
Public-domain text, read in full here on John Shaqi.
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