This FreedomHutchinson, A. S. M. (Arthur Stuart-Menteth)
General
This Freedom
Hutchinson, A. S. M. (Arthur Stuart-Menteth)
Marriage -- Fiction; Women -- Social and moral questions -- Fiction
In the other months of the year their mother was immensely occupied with
her work at Field’s, developing beyond expectation; and their father
early and late with his work in the Temple, his esteem by solicitors and
by litigants almost beyond his time to satisfy. Their father was
much paragraphed in the social journals, and their mother also. The
paragraphs said their father was making a “princely fortune” at the Bar
and never told of him without telling also of his wife. They described
her as “of Field’s Bank” and always drove the word “unique” hand in
hand with every mention of her parts. “Unique personality”; “unique
position”; “unique among professional women”; “unique,” said one, “in
combining notable beauty and rare business acumen; an office which
she attends daily and a charming home; a profession, three beautiful
children, and a brilliant husband.”
The syntax is weak, but the truth is in it and those children were to be
envied in their mother.
Miss Prescott, when she came, did not displace the Muffet. She
was installed additional to the Muffet; and as touching the modern
principles relating to children she very soon told Muffet a thing or
two not previously dreamt of in the Muffet philosophy but having, thence
forward, occasional place in the Muffet nightmares.
The Muffet, however, was of lymphatic character, with, as her most
constant desire, the desire not to be “plagued.” She was one of those
people who are for ever declaring that they never eat anything, who at
meals, indeed, appear to eat very little, but who between meals, are
eating all day long. At all hours of the day the Muffet jaws, like the
jaws of a ruminant, were steadily munching, munching. When Benji was
three Muffet was getting distinctly fat. On a corner of the night
nursery mantelpiece she had a photographic group of her parents and of
an uncle and aunt who lived with her parents. These four were very fat
and one evening the children’s father made a remark about this portrait
that made their mother laugh delightedly.
Benji was in his cot. Huggo had just come from his bath and was having
his toes wiped by his mother because he declared Muffet had not dried
them properly. He said Muffet groaned when she stooped.
His mother said, “You know, Harry, Muffet is getting fat. Have you
noticed it?”
Their father was bent almost double swinging Doda between his legs,
the stomach of Doda reposing on the palms of his joined hands and Doda
squealing ecstatically.
Their father said, “I have. Go and look at that photograph, Rosalie, and
you’ll see why. Look at what her people are. Muffet’s broadening down
from precedent to precedent.”
It made their mother laugh. The children didn’t know why it made her
laugh, but they laughed with her. They always did, or with their father
when he laughed. And there was always lots of jolly laughter when their
father and mother came up to the nurseries.
Public-domain text, read in full here on John Shaqi.
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