This FreedomHutchinson, A. S. M. (Arthur Stuart-Menteth)
General
This Freedom
Hutchinson, A. S. M. (Arthur Stuart-Menteth)
Marriage -- Fiction; Women -- Social and moral questions -- Fiction
Then there were things that, while was still upon her this shock, this
sense of being again the small, grave child in the blue frock and in
the pinafore with the hole in it, she wrote down. She dismissed Miss
Prescott. She thought, when the interview of dismissal opened, that she
would end by upbraiding Miss Prescott, but she was abated all the time
in any anger that she might have felt by Huggo’s other frightful words,
“Well, mother, you never taught me any different.” She did not want to
hear Miss Prescott tell her that. She told Miss Prescott simply that
she was giving up her business and coming now to devote herself to the
children. She thought, she said, their education had in some respects
been faulty, and told Miss Prescott how. Miss Prescott, speaking like
a book, told her it had not been faulty and told her why. “Truth,
knowledge, reason,” said Miss Prescott. “Could it conceivably be
contested that these should not be the sole food and the guiding
principle of the child mind?”
It was after that interview that Rosalie, sitting long into the night,
wrote down some things. She is to be imagined as wrenched back, as by a
violent hand, across the years, and in the blue frock and the pinafore
with a hole in it again, and awfully frightened, terribly unhappy, at
the thing she’d heard from Huggo. That was the form her shock took.
Beneath it she had at a blow abandoned all her ambitions as when a child
she would instantly have dropped her most immersing game and run to a
frightening cry from her mother; as once, in fact (and the incident and
the parallel came back to her), she had been building a house of cards,
holding her breath not to shake it, and her mother had scalded her hand
and had cried out to her, frighteningly. “Oh, mummie, mummie!” she had
cried, running to her; and flap! the house of cards had gone. Her inward
cry was now, “The children! The children!” and what amiss the leaving of
her work? Her work! Oh, house of cards!
Her state of mind, the imaginings in which that shock came to her, is
better seen by what she wrote down privately, to relieve herself,
than by the talk about it all that she had with her Harry. She wrote
immediately after Miss Prescott had stood up for “truth, knowledge,
reason,” and by combating truth, knowledge, and reason more clearly
expressed herself than in her talk with Harry. It was in her diary she
wrote--well, it wasn’t exactly a diary, it was a desultory journal
in which sometimes she wrote things. As she wrote, her brow, in the
intensity of her thought, was all puckered up. She still felt “deathly
sick; all undone.” She wrote:
Public-domain text, read in full here on John Shaqi.
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