This FreedomHutchinson, A. S. M. (Arthur Stuart-Menteth)
General
This Freedom
Hutchinson, A. S. M. (Arthur Stuart-Menteth)
Marriage -- Fiction; Women -- Social and moral questions -- Fiction
“My dearest old boy, don’t talk like that. Of course it is. We’re only
so grieved, your mother and I, that you should have had such a setback
so early. But remember, old man, the great thing is not to let your wife
suffer. No pinching or screwing for her, Huggo. Always your wife first,
Huggo. We’ll give you at the rate of three hundred a year just until
all’s going swimmingly, and that’s to keep Lucy merry and bright, see?”
It was shortly after that it all came out that the thing was a ramp, the
motor-car business never in existence; shortly after that it came out
Huggo was neglecting his wife; shortly after that the high words to
Rosalie, telling her how his wife had deceived him; shortly after that
that the syndicate, amazingly prosperous, moved into offices better
situated and handsomely appointed; shortly after that it came out that
the business of the syndicate was in some way connected with company
promotion.
Harry, seen among these developments, was not the man he used to be.
He was at the crest of his career at the Bar, working enormously and
earning richly, but the old bright, cheery way had gone from Harry.
There was permanently upon his face, and there was intensified, the
beaten look that Rosalie first had seen on that night, in the war, when
there had been the Huggo drinking business and when for the first and
only time he had spoken passionately to Rosalie. When he now was at
home he used to sit for long periods doing nothing, just thinking. When
sometimes, home earlier than he, Rosalie saw him coming up the street
towards the gamboge door she noticed, terribly, the bowed shoulders,
the weary gait, the set, careworn face. She used to run down then to the
famous gamboge door and open it and greet him and his face used to light
up in the old way, but it was not the same face, and the effect of its
radiation therefore not the same. It was not that the face was older. It
was that its aspect was changed.
He used to look up from that chair where he sat just thinking, when
Doda, butterflied for the evening, butterflied across the room, and used
to say, “Out again, Doda?” He then would relapse back into his thoughts.
He had a habit of getting up suddenly and rather strangely wandering
about from room to room of all the principal rooms of the house, just
standing at the door of each, and looking in (they were all empty of
inhabitants), and then coming back and sitting again in the chair and
just sit, thinking.
It used to pain the heart of Rosalie.
She said more than once when he returned from such a tour, “Dear Harry,
looking for anything?”
He’d say rather heavily, “No; no, dear. Just having a look around.”
It used to pain the heart of Rosalie.
Public-domain text, read in full here on John Shaqi.
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