This FreedomHutchinson, A. S. M. (Arthur Stuart-Menteth)
General
This Freedom
Hutchinson, A. S. M. (Arthur Stuart-Menteth)
Marriage -- Fiction; Women -- Social and moral questions -- Fiction
Rosalie was called up on the telephone by the foreign friend. It was the
evening, about ten o’clock. Doda was away for a week at Brighton with
the foreign friend. She was due back to-morrow. Harry was out with
Benji. Benji was nineteen then and was home on vacation from Oxford.
Harry never could bear Benji out of his sight when Benji was home. In
the affliction that had come upon them, he seemed to cling to Benji.
Rosalie had persuaded him that evening to go with Benji to a concert.
Harry said the idea of anything like that was detestable to him,
but Rosalie had pleaded with him. Just a little chamber concert was
different. It would do him so much good to have an evening away and to
hear a little music and Benji would love it. Harry allowed himself to be
persuaded and went off arm-in-arm with Benji. He always put his arm in
Benji’s when he walked with Benji.
Rosalie was waiting for them when the telephone bell rang and she was
spoken to by the foreign friend.
It then happened like this.
The voice of the foreign friend was very alarmingly urgent. “Would she
come and see Doda at once, at once, at once?”
The voice struck a chill to the heart of Rosalie. “But where are you?
You’re at Brighton, aren’t you? Are you speaking from Brighton?”
“No, no. At my flat. At my flat.”
“But what is it? What is it? Why don’t you tell me what it is?”
“It’s an--it’s an--.” The voice stammered and hesitated.
“Oh, speak! Oh, speak.”
She could hear the voice gulping.
“Oh, please do speak!”
“Doda isn’t very well. Doda’s very ill. It’s an--it’s an accident.”
“I’ll come. I’ll come.”
“Is Mr. Occleve there?”
“He isn’t. He’s out.”
“Can you get him?”
“No. Yes. I don’t know. I can’t think. Oh, tell me. Tell me.”
“Will you leave a message for him to come at once?”
“At once. At once.”
She wrote a message for Harry and she picked up a wrap and she ran out
hatless to find a cab.
She found a cab and went to Doda.
This all happened as quickly as bewilderingly. It was not like a
dream, and it was not like a nightmare. It was like a kind of trance to
Rosalie.
The foreign friend was not seen at the flat. She was in some other room
and did not appear. She said afterwards, and proved, that she had been
away the previous night, leaving Doda at the flat, and had returned
to find her--as she was found; and had immediately called the nearest
doctor and then Doda’s mother.
It was the doctor that opened the door to Rosalie. He was a Scotchman; a
big and rugged man, all lines and whiskers and with a rugged accent.
He said, “You’rre her mother, arren’t ye? Where’s her father?”
“He’s coming. Where is my child?”
The doctor jerked his head towards a wall. “She’s yon.”
“Tell me, please.”
He pushed a chair towards her but she shook her head. “Please tell me.”
“Ye’ll want your courage.” He again indicated the chair. She again shook
her head. “It’ll try ye. She’s dying.”
The lips of Rosalie formed the words: “Tell me.” There was no sound in
her.
Public-domain text, read in full here on John Shaqi.
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