This FreedomHutchinson, A. S. M. (Arthur Stuart-Menteth)
General
This Freedom
Hutchinson, A. S. M. (Arthur Stuart-Menteth)
Marriage -- Fiction; Women -- Social and moral questions -- Fiction
The engagement of Rosalie was a development of Mr. Simcox’s hobby as
natural as the development of any other hobby from rabbit breeding to
china collecting. The craze intensifies, the scope is enlarged. To have
a secretary made Mr. Simcox’s mail and the work that produced his mail
even more real than already it had become to him. Following up the
personal touch that had been discovered by the criticism of samples,
Mr. Simcox had opened up a line that produced the personal touch in
most intimate degree: personal touch with schools and with insurance
companies. He created for himself sons, daughters, nephews, nieces,
wards. He endowed them, severally, with ages, with backwardness, with
brilliancy, with robustness, with delicacy, with qualities that were
immature and required development, with absence of qualities that
were desirable and required implanting, with unfortunate tendency to
qualities that were undesirable and needed repression and nipping in the
bud. He placed these children, thus handicapped or endowed, before
the principals of selected schools; he desired that terms and full
particulars might be placed before him to assist him in the anxious task
of right selection. They were placed before him. “Your backward nephew
Robin” (to take a single example) engaged the personal attention of
preparatory schoolmasters from Devonshire to Cumberland and from Norfolk
to Carnarvon. Similarly with insurance companies. Again dependents
and friends were created, by the dozen, by Mr. Simcox. Male and female
created he them, cumbered with all imaginable risks, and darkly brooding
upon all manner of contingencies; and male and female, cumbered and
perplexed, they were studied and advised upon by insurance companies
earnest beyond measure to show Mr. Simcox what astounding and
unparalleled benefits could be obtained for them.
Public-domain text, read in full here on John Shaqi.
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