This FreedomHutchinson, A. S. M. (Arthur Stuart-Menteth)
General
This Freedom
Hutchinson, A. S. M. (Arthur Stuart-Menteth)
Marriage -- Fiction; Women -- Social and moral questions -- Fiction
Miss Salmon was employed as a daily nursery governess by a family
resident across the park who, not hav-ing room for her, had “come to
an arrangement” with Miss Kentish for her accommodation at the boarding
house; and with her fussiness, her nose pursuit, her humming and her
general ineptitude of habit and of thought, she was as it were a fated
companion for Rosalie; and it was the case that all the other inmates of
the boarding house were, in regard to Rosalie, equally and in the same
sense fated. Miss Salmon and they were fated, or fatal, to Rosalie, in
the sense that it would have been well then for Rosalie, as always well
for any developing young thing, to have been among companions who drew
upon her sympathies and called for her consideration. The contrary was
here presented to her. She was ripe to be intolerant for she was very
full of purpose and purpose is a motive power of much impatience. Miss
Salmon, who would have made a saint impatient, made Rosalie, who was not
a saint, very impatient and the virus of this impatience was that very
soon Rosalie made no attempt to conceal it. It seemed to Rosalie that
whenever she projected any plan to Miss Salmon--as to “do” a pit at a
theatre--or any theory--as that men and not women were manifestly the
cat tribe--it seemed to her that Miss Salmon always hummed with
the maddening humming denotive of disapproval, and always prefaced
stupendously stubborn idiocy with the “Well, now” and the gulp that
alone were sufficient to drive enthusiasm crazy.
“Mmmmm--mm. Mmm--mmmm--mm--mm,” would go Miss Salmon, following her
pince-nez up and down the little bedroom. And then, the pince-nez
poised, “Well, now” (gulp).
And Rosalie came to cry, “Oh, never mind. Never mind, for goodness’
sake. I know exactly what you’re going to say so what is the good of
saying it?” Miss Salmon nevertheless would say it, in full measure,
pressed down at intervals in solid lumps with reiterated “Well, now”
(gulp). And then Rosalie would hum to show she was not listening and
thus in time to the position that Rosalie, beyond the ordinary changes
of everyday conversation, took not the slightest notice of Miss Salmon
but busied herself in their room, or came into it or went out of it,
precisely as if Miss Salmon, who with her gulps, her fussiness and
her balancing was very much there, was in fact not there at all. When
Rosalie for the weekly dinner at Aunt Belle’s used to dress in the
evening frock of Laetitia’s given her for the purpose by Aunt Belle, she
used, at first, to say to Miss Salmon, “There, how do I look, Gertrude?
Can you see that mend in the lace?”
“Well, now--” (gulp).
Public-domain text, read in full here on John Shaqi.
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