"And why not? My word will outweigh yours. I have only to tell him
that you brand me as an adventuress, of the same class as this Miss Nora
Burton, and you will see what he will say."
"But you will not tell him," repeated Hugh. "Mrs Spencer, I did not
think we should go so far as we have done. But I will put my cards on
the table at once, and I do so from certain indications in your
demeanour to-night. I will not say all I have in my mind; I am going to
collect further evidence first. But I will say this: you are not what
you seem." He had touched her now. Her calm had gone, her breast was
heaving, her hands were moving more restlessly.
"Put your cards on the table and have done. I was Stella Keane when I
married my husband. I defy you to disprove that."
"At present, no. You are the same Stella Keane who saw Tommie Esmond, a
discovered card-sharper, off at the Charing Cross Station, and kissed
him an affectionate farewell. If you were on such intimate terms with
that man, you are no fit wife for my friend Guy Spencer."
He had touched her at last. "How did you find that out?" she gasped,
and her face for a second went livid. She was surprised beyond the
point of denial.
And at that moment the door opened and Guy Spencer entered. She
recovered herself immediately; went up to her husband and laid a
caressing hand on his shoulder.
"A perfect tie, dearest; it was worth the time. Your friend, Major
Murchison, has been distressing me with a terrible story of some tragedy
that happened when he was quartered at Blankfield."
Guy Spencer smiled cheerfully. "Dear old Hugh is good at stories. He
must tell it me after dinner."
As she looked up into her husband's face, Hugh noticed the tender light
in her eyes. Lady Nina had said that if she was not devotedly in love
with Guy, she must be the most consummate actress off the stage. Loving
wife or consummate actress, which was she?
CHAPTER EIGHTEEN.
When Hugh reflected over that interview in the drawing-room before
dinner, he came to the conclusion that he had not played his cards very
well, that he had been a little too precipitate. Whether she was Norah
Burton or not, she was a very clever young woman, and he had just put
her on her guard by that rather indiscreet allusion to Tommy Esmond. If
he had no further evidence to go on than that incident, she would give
her husband a plausible explanation of it. And Hugh believed his old
friend Guy was still deeply in love enough with his wife to believe
anything she told him.
He could imagine her telling that convincing story to Guy, probably with
her arms round his neck, and her pretty eyes looking up to his with the
love-light in them. Esmond had been a kind friend to her, had done her
many a good turn. Much as she deplored his baseness, she could not bear
the thought of his slinking out of the country, a branded fugitive,
without a forgiving hand stretched out to him.
Public-domain text, read in full here on John Shaqi.
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