Then, as Miss Crichton's harmless chatter flowed on, he thought of other
things. Norah had an obscure past, on which such guarded confidences as
she permitted herself to indulge in threw little or no light. It would
appear that Stella Keane's history moved much on the same lines. There
were only vague intimations, nothing definite, nothing satisfactory.
There was another point of resemblance. Norah had one male relative who
came out into the open for inspection, in her case a brother, afterwards
discovered to be a criminal. Stella Keane had one male relative also,
in her case a cousin, of whom nothing was known, except that he was an
undesirable person who had not visited his relative's house since her
marriage, no doubt for reasons well-known to himself and Stella.
_Ergo_ the undesirable cousin was lying low, as George Burton would have
lain low, when Jack Pomfret had openly acknowledged Norah as his wife.
And yet--and yet--was there anything in these suspicions? Was he not
allowing himself to be misled by a chance resemblance, by random
coincidences?
He stole a look at Guy Spencer chatting amiably with his cousin, the
cousin whom rumour had persistently designed as the future Countess of
Southleigh. He seemed the happy contented young married man; there was
no hint of trouble or regret in his assured, placid demeanour.
Evidently he was suffering from no self-reproach, no suspicion of the
beautiful young woman he had made his wife. The calmness of his aspect
gave the lie to any such disquieting suggestions.
And the current of Murchison's thoughts ran swiftly along. They had
been married some time now. If Stella Keane was the impostor Hugh
suspected her to be, from that striking resemblance to Norah Burton the
heroine of that tragic Blankfield episode, surely in the close intimacy
of wedded life something would have escaped her that would have aroused
her husband's suspicions, have set him inquiring more closely into the
past.
Granting that she was a clever actress, still the most accomplished
performer in the world could not wear the mask all day. There must come
one moment, if not several moments, when that mask would be
inadvertently dropped.
No, he must be mistaken. The resemblance must be accidental. The
brother in the one case, the cousin in the other, were equally
accidental coincidences.
He had got to this frame of mind when the men joined the ladies after
dinner. In the spacious drawing-room, the atmosphere seemed to have
cleared, the tension to be relaxed, with the change of scene.
This was readily comprehensible. During dinner, Lord Southleigh,
frowning and morose, in close juxtaposition with his guests, had in a
very real sense dominated the scene, and communicated a sense of his
hostility and displeasure to all round him, not least to the unhappy
young woman who had inspired those wrathful feelings.
Public-domain text, read in full here on John Shaqi.
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