At the old-fashioned square piano her mother was seated with her hands
resting upon the keys which were silent. Farther distant from the fire
her figure, graceful still, seemed melting into a darker transparency,
one which grew deeper and deeper, till in the corner of the room and
right and left of the fireplace the shadows seemed to be almost solid.
Then the accustomed eye detected the various objects that furnished the
room, melting, as it were, away.
Only on one spot did there seem a discordant note in the general harmony
of the softly glowing scene, and that was where the rays from a
newly-lighted street lamp shone straight upon the wall and across the
picture of Robert Hallam, cutting it strangely asunder, and giving to
the upper portion of the face a weird and almost ghastly look.
Thisbe's steps had died out and her kitchen door had closed, but the
musings of the two women had been interrupted and did not go back to
their former current.
All at once, soft as a memory of the bygone, the notes of the piano
began to sound, and Julia changed her position, resting one arm upon the
chair by her side and listening intently to a dreamy old melody that
brought back to her the drawing-room in the old house at Castor--a
handsomely-furnished, low-ceiled room with deep window-seat, on whose
cushion she had often knelt to watch the passing vehicles while her
mother played that very tune in the half light.
So dreamy, so softened, as if mingled there with a strange sadness. Now
just as it was then, one of the vivid memories of childhood, Weber's
"Last Waltz," an air so sweet, so full of melancholy, that it seems
wondrous that our parents could have danced to its strains, till we
recall the doleful minor music of minuet, coranto, and saraband.
Dancing must have been a serious matter in those days.
Soft and sweet, chord after chord, each laden with its memory to Julia
Hallam.
Her mother was playing that when her father came in hastily one night,
and was so angry because there were no lights; that night when she stole
away to Thisbe.
She was playing it too that afternoon when Grandmamma Luttrell came and
was in such low spirits, and would not tell the reason why. Again, that
night when she shrank away from her father, and he flung her hands from
him, and said that angry word.
Memory after memory came back from the past as Millicent Hallam played
softly on, making her child's face lustrous, eyes grow more dreamy, the
curved neck bend lower, and the tears begin to gather, till, with quite
a start, the young girl raised her head and saw the rays from the
gas-lamp shining across the picture beyond her mother's dimly-seen
profile.
Julia rose to cross to her mother's side, and knelt down to pass her
arms round the shapely waist and there rest.
"Go on playing," she said softly. "Now tell me about poor papa."
Public-domain text, read in full here on John Shaqi.
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