There were other eyes beside Sir Gordon's watching beneath the awning,
and a signal would be given by a low whistle whenever Julia was seen to
approach the instrument. Then a knot of the soldiers and sailors would
collect to listen to her clear thrilling voice as she sang some sweet
old-time ballad. It was always Philip Eaton who pressed her to sing,
led her to the piano, and stood over her, holding a lamp or turning over
the leaves. He it was, too, who was the first to applaud warmly; and
often and often from where he leaned over the bulwarks listening, too,
Bayle could see the ingenuous girlish face look up with a smile at the
handsome young officer, who would stay by her side afterwards perhaps
the greater part of the evening, or he would lead her to where Captain
Otway was lolling back, talking to Mrs Captain Otway, a handsome,
fashionable-looking woman, who seemed to win her way day by day more and
more to the friendship of Millicent Hallam.
At such times Sir Gordon would sit alone and fume, while Bayle watched
the black, starlit water, closing his eyes when Julia sang or Mrs
Hallam played some old piece, that recalled the doctor's cottage at
King's Castor.
Afterwards he would turn his head and look beneath the awning sadly--the
warm, soft glow of the swinging lamp lighting up face after face, which
then seemed to fade away into the shadow.
He was strangely affected at such times. Now it was the present, and
they were at sea; anon it seemed that he was leaning over the rustic
seat in the doctor's garden, and that was not the awning and the
quarterdeck, but the little drawing-room with the open windows. Time
had not glided on; and in a curious, dreamy fashion, that did not seem
to be Julia, the child he had taught, but Millicent; and that was not
Lieutenant Eaton leaning over her, but Robert Hallam.
Then one of the shadows on the awning would take a grotesque resemblance
to little Miss Heathery, to help out the flights of fancy; and Bayle
would listen for the tinkling notes of the piano again, and feel
surprised not to hear a little bird-like voice piping "Gaily the
troubadour."
Next there would be a burst of merry conversation, and perhaps a laugh;
and as Bayle turned his head again to gaze half wonderingly, the
lamp-light would fall, perhaps, upon the faces of mother and daughter,
the centre of the group near the piano.
Christie Bayle would begin to study the stars once more, as if seeking
to read therein his future; but in vain, for he gazed down where they
were broken and confused in the dark waters, sparkling and gliding as
they were repeated again below, deep down in the transparent depths,
where phosphorescent creatures glowed here and there.
"I can't make him out," Sir Gordon would often say to himself.
No wonder! Christie Bayle could not analyse his own feelings, only that
the old sorrow that was dead and buried years upon years ago seemed to
be reviving and growing till it was becoming an agonising pang.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account