Authors, Scottish -- 19th century -- Biography; Carlyle, Thomas, 1795-1881; Historians -- Great Britain -- Biography
Sullen moods, and "words at random sent," those judging him from a
distance can easily condone; the errors of a hot head are pardonable to
one who, in his calmer hours, was ready to confess them. "Your temptation
and mine," he writes to his brother Alexander, "is a tendency to
imperiousness and indignant self-help; and, if no wise theoretical,
yet, practical forgetfulness and tyrannical contempt of other men." His
nicknaming mania was the inheritance of a family failing, always fostered
by the mocking-bird at his side. Humour, doubtless, ought to discount
many of his criticisms. Dean Stanley, in his funeral sermon, charitably
says, that in pronouncing the population of England to be "thirty
millions, mostly fools," Carlyle merely meant that "few are chosen and
strait is the gate," generously adding--"There was that in him, in spite
of his contemptuous descriptions of the people, which endeared him to
those who knew him best. The idols of their market-place he trampled
under foot, but their joys and sorrows, their cares and hopes, were to
him revered things." Another critic pleads for his discontent that it had
in it a noble side, like that of Faust, and that his harsh judgments of
eminent men were based on the belief that they had allowed meaner to
triumph over higher impulses, or influences of society to injure their
moral fibre. This plea, however, fails to cover the whole case. Carlyle's
ignorance in treating men who moved in spheres apart from his own, as the
leaders of science, definite theological enlightenment, or even poetry
and arts, was an intellectual rather than a moral flaw; but in the
implied assertion, "what I can't do is not worth doing," we have to
regret the influence of an enormous egotism stunting enormous powers,
which, beginning with his student days, possessed him to the last. The
fame of Newton, Leibnitz, Gibbon, whose works he came to regard as the
spoon-meat of his "rude untutored youth," is beyond the range of his
or of any shafts. When he trod on Mazzini's pure patriot career, as a
"rose-water imbecility," or maligned Mill's intrepid thought as that of a
mere machine, he was astray on more delicate ground, and alienated some
of his truest friends. Among the many curses of our nineteenth-century
literature denounced by its leading Censor, the worst, the want of
loyalty among literary men, he fails to denounce because he largely
shares in it. "No sadder proof," he declares, "can be given by a man of
his own littleness than disbelief in great men," and no one has done more
to retrieve from misconception the memories of heroes of the past;
but rarely does either he or Mrs. Carlyle say a good word for any
considerable English writer then living. It is true that he criticises,
more or less disparagingly, all his own works, from _Sartor,_ of which
he remarks that "only some ten pages are fused and harmonious," to his
self-entitled "rigmarole on the Norse Kings": but he would not let his
enemy say so; nor his friend.
Public-domain text, read in full here on John Shaqi.
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