"The packet was full of people coming to see friends off, and
amongst others was a party of ladies, who, I should think, had
dined on board, and who, on my being made known to them, almost
devoured me with kindness, and at length proceeded so far as to
insist on, each of them, _kissing_ me. At this time I was beginning
to feel the first rudiments of coming _sickness_, and the effort
to respond to all this enthusiasm, in such a state of stomach, was
not a little awkward and trying. However, I kissed the whole party
(about five, I think) in succession, two or three of them being,
for my comfort, young and good-looking, and was most glad to get
away from them to my berth, which through the kindness of the
captain (Emerson) was in his own cabin. But I had hardly shut the
door, feeling very qualmish, and most glad to have got over this
osculatory operation, when there came a gentle tap at the door, and
an elderly lady made her appearance, who said that having heard of
all that had been going on, she could not rest easy without being
also kissed as well as the rest. So, in the most respectful manner
possible, I complied with the lady's request, and then betook
myself with a heaving stomach to my berth."
A more modest and less embarrassing act of homage was brought to Moore's
notice in London by Panizzi. Among the labourers at work on the
buildings of the British Museum was a poor Irishman, who, learning that
Moore was sometimes to be seen there, offered a pot of ale to any one
who would point him out. Accordingly, next time Moore came, the Irishman
was taken to where he could get a sight of the poet, as he sat reading.
Such was his pleasure at being able to say "I have seen," that he
doubled the pot of ale to his conductor. Again, in 1842 Moore was coming
away from a public dinner with Washington Irving, and they found rain
falling and themselves in sore need of cab or umbrella.
"As we were provided with neither," Moore writes, "our plight was
becoming serious, when a common cad ran up to me and said: 'Shall I
get you a cab, Mr. Moore? Sure, ain't _I_ the man that patronises
your Melodies?' He then ran off in search of a vehicle, while
Irving and I stood close up, like a pair of male Caryatides under
the very narrow projection of a hall door-ledge, and thought at
last that we were quite forgotten by my patron. But he came
faithfully back, and while putting me into the cab (without minding
at all the trifle that I gave him for his trouble) he said
confidentially in my ear: 'Now mind, whenever you want a cab,
Misthur Moore, just call for Tim Flaherty, I'm your man.' Now this
I call _fame_, and of somewhat a more agreeable kind than that of
Dante, when the women in the street found him out by the marks of
hellfire on his beard."
Public-domain text, read in full here on John Shaqi.
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