Thomas Otway: The Best Plays of the Old DramatistsOtway, Thomas
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Thomas Otway: The Best Plays of the Old Dramatists
Otway, Thomas
English drama -- 17th century; Otway, Thomas, 1652-1685
"The Orphan" was first represented in 1680, and printed during the same
year. Thornton, following Langbaine, states that the play was founded
on the story of Brandon, which he reprints in his edition of Otway, and
which forms part of a novel entitled "English Adventures by a Person
of Honour," published in 1676, and said to be by Roger Boyle, Earl of
Orrery. The adventures are supposed to occur to Henry VIII., who, when
young, is reported to have often wandered abroad in disguise, like
Haroun-Al-Raschid. He is represented going about with Brandon, a young
nobleman, afterwards married to Henry's sister, widow of Louis XII.,
and founder of the Suffolk family. Brandon relates the circumstances
(which are in substance identical with the story of _The Orphan_) as
having happened to himself, the main incidents being alleged to be
true. A yet earlier play, _The Hog hath lost his Pearl_, by Robert
Tailor (1612-13), has very much the same foundation. As to the
possibility of Monimia's deception through the personation of one twin
brother by another, we must remember that this took place in darkness,
and that not a word was spoken, total silence having been agreed upon
when the secret meeting with Castalio was arranged, on account of the
proximity of Acasto's chamber. Acasto, the guardian of Monimia, is
believed to be a portrait of the first Duke of Ormond (see Carte's
"Life of Ormond").
_The Orphan_ was acted at Covent Garden in 1815, and subsequently at
the Bath Theatre in 1819, when Miss O'Neill performed the part of
Monimia. The celebrated Mrs. Bracegirdle appeared in the character of
Cordelio, Polydore's page, when she was a child about six years old.
[Illustration]
[Illustration]
TO HER ROYAL HIGHNESS THE DUCHESS.[16]
Madam,
After having a great while wished to write something that might be
worthy to lay at your Highness's feet, and finding it impossible: since
the world has been so kind to me to judge of this poem to my advantage,
as the most pardonable fault which I have made in its kind, I had
sinned against myself, if I had not chosen this opportunity to implore
(what my ambition is most fond of) your favour and protection.
For, though Fortune would not so far bless my endeavours as to
encourage them with your Royal Highness's presence, when this came into
the world, yet I cannot but declare it was my design and hopes it might
have been your divertisement in that happy season when you returned
again to cheer all those eyes that had before wept for your departure,
and enliven all hearts that had drooped for your absence. When Wit
ought to have paid its choicest tributes in, and Joy have known no
limits, then I hoped my little mite would not have been rejected;
though my ill fortune was too hard for me, and I lost a greater honour,
by your Royal Highness's absence, than all the applauses of the world
besides can make me reparation for.
Public-domain text, read in full here on John Shaqi.
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