association tend with Brown, as with Priestley, to be the sole ultimate
laws of mind: perhaps this tendency was restrained in expression as much
by personal respect for Reid and Stewart as by conviction.
After Brown, philosophy in Scotland was for a time dormant—superseded
by Combe and phrenology. But contemporaneously, in ‘the twenties,’
a philosophy more akin to Reid than to Brown made its appearance
in England; although the analogy is not on the surface, and has
not, I think, been observed. Coleridge, especially in his _Aids to
Reflection_, published in 1825, insists with eloquent emphasis upon
the difference between ‘the Reason,’ which is divine or inspired, and
mere ‘Understanding,’ which generalises the phenomena that emerge in
experience: he also presses the distinction between free agency, as
implied in morally responsible causation, and the mechanical order of
nature with which physical sciences are exclusively concerned. ‘The
Reason,’ to which Coleridge appeals, corresponds in function to ‘the
Common Sense’ of Reid. It is described as fixed and final; as in all its
decisions appealing to itself; and as ‘much nearer to sense than the
understanding,’ for it is direct insight of truth, whereas understanding
must refer all its judgments to premises. That man, because he is morally
responsible, must originate, within his individual personality as their
final centre, all acts for which he is responsible, is with Coleridge a
postulate, ‘the proof of which no man can give to another, yet every man
_may_ find for himself,’ and so see the true meaning of the words power
and causality. In short, this postulate is among the inspired revelations
of the Common Sense that are contained in our share of Divine Reason.
We may speak of understanding as ‘human,’ with its often discordant
generalisations; but there can be no merely ‘human’ Reason. There neither
is nor can be but one and the same Reason; the light without which the
individual understanding would be darkness.
* * * * *
Public-domain text, read in full here on John Shaqi.
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