It was indeed a comfort to both of them to remember that there was this alternative equally to the gallows and a long life of gnawing fear and remorse. But it was only to be a last refuge of course. Helen withdrew to the dressing-room, laid herself on her bed, and began to compass how to meet and circumvent the curate, so as by an innocent cunning to wile from him on false pretences what spiritual balm she might so gain for the torn heart and conscience of her brother. There was no doubt it would be genuine, and the best to be had, seeing George Bascombe, who was honesty itself, judged the curate an honest man. But how was it to be done? She could see only one way. With some inconsistency, she resolved to cast herself on his generosity, and yet would not trust him entirely. She did not go downstairs again, but had her tea with her brother. In the evening her aunt went out to visit some of her pensioners, for it was one of Mrs. Ramshorn’s clerical duties to be kind to the poor--a good deal at their expense, I am afraid--and presently George came to the door of the sick-room to beg her to go down and sing to him. Of course, in the house of a dean’s relict, no music except sacred must be heard on a Sunday; but to have Helen sing it, George would condescend even to a hymn tune; and there was Handel, for whom he professed a great admiration! What mattered his subjects? He could but compose the sort of thing the court wanted of him, and in order to that, had to fuddle his brains first, poor fellow! So said George at least. That Leopold might not hear them talking outside his door, a thing which no invalid likes, Helen went downstairs with her cousin; but although she had often sung from Handel for his pleasure, content to reproduce the bare sounds, and caring nothing about the feelings both they and the words represented, she positively refused this evening to gratify him. She must go back to Leopold. She would sing from The Creation if he liked, but nothing out of The Messiah would she or could she sing.