Artists and patrons -- Fiction; Authors and readers -- Fiction; Humorous stories; Italy -- Fiction; Satire
So too was Irene. But not for the reasons Lord Hovenden supposed. It was
true that she had spent most of her days since Chelifer’s arrival in
following the new guest like an unhappy shadow. But it had not been on
her own account, not at her own desire. Chelifer did indeed intimidate
her; so far Lord Hovenden had guessed aright. He had been hopelessly at
fault in imagining that Irene adored the man in spite of her fear of
him. If she followed him about, it was because Mrs. Aldwinkle had asked
her to. And if she looked unhappy, it was because Aunt Lilian was
unhappy—and a little, too, because the task which Aunt Lilian had set
her was a disagreeable one; disagreeable not only in itself, but because
it prevented her from continuing those pleasant talks with Hovenden.
Ever since that evening when Aunt Lilian twitted her on her coldness and
her blindness, Irene had made a point of seeing Hovenden as much as she
could. She wanted to prove that Aunt Lilian had been wrong. She wasn’t
cold, she wasn’t blind; she could see as clearly as any one when people
liked her, and she could be as warmly appreciative. And really, after
the episodes with Jacques, Mario and Peter, it wasn’t fair of Aunt
Lilian to tease her like that. It simply wasn’t. Moved by an indignant
desire to confute Aunt Lilian as quickly as possible, she had positively
made advances to Hovenden; he was so shy that, if she hadn’t, it would
have been months before she could have offered her aunt anything like
convincing rebuttal of her imputation. She had talked with him, gone for
walks with him, quite prepared to feel at any moment the infinitude of
passion. But the affair passed off, somehow, very differently from the
others. She began to feel something indeed, but something quite unlike
that which she had felt for Peter and Jacques. For them it had been a
fizzy, exciting, restless feeling, intimately connected with large
hotels, jazz bands, coloured lights and Aunt Lilian’s indefatigable
desire to get everything out of life, her haunting fear that she was
missing something, even in the heart of the fun. “Enjoy yourself, let
yourself go,” Aunt Lilian was always telling her. And “How handsome he
is! what a lovely fellow!” she would say as one of the young men passed.
Irene had done her best to take Aunt Lilian’s advice. And it had seemed
to her, sometimes, when she was dancing and the lights, the music, the
moving crowd had blended together into a single throbbing whole, it had
seemed to her that she had indeed climbed to the peak of happiness. And
the young man, the Peter or Jacques whom Aunt Lilian had hypnotised her
into thinking a marvel among young men, was regarded as the source of
this bliss. Between the dances, under the palm trees in the garden, she
had even suffered herself to be kissed; and the experience had been
rather momentous. But when the time came for them to move on, Irene
departed without regret. The fizzy feeling had gone flat. But with
Hovenden it was different.
Public-domain text, read in full here on John Shaqi.
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