Artists and patrons -- Fiction; Authors and readers -- Fiction; Humorous stories; Italy -- Fiction; Satire
For the rest of the party Miss Elver’s arrival had no special or
personal significance. For them she was just Mr. Cardan’s half-wit; that
was all. Even Mary Thriplow, who might have been expected to take an
interest in so genuine a specimen of the simple soul, paid little
attention to her. The fact was that Grace was really too simple to be
interesting. Simplicity is no virtue unless you are potentially
complicated. Mrs. Chelifer, being with all her simplicity a woman of
intelligence, threw light, Miss Thriplow felt, on her own case. Grace
was simple only as a child or an imbecile is simple; her didactic value
was therefore nil. Miss Thriplow remained faithful to Mrs. Chelifer.
------------------------------------------------------------------------
CHAPTER XI
It was night. Half undressed, Irene was sitting on the edge of her bed
stitching away at an unfinished garment of pale pink silk. Her head was
bent over her work and her thick hair hung perpendicularly down on
either side, making an angle with her tilted face. The light clung
richly to her bare arms and shoulders, was reflected by the curved and
glossy surfaces of her tight-drawn stockings. Her face was extremely
grave; the tip of her tongue appeared between her teeth. It was a
difficult job.
Round her, on the walls of the enormous room which had once been the
bedchamber of the Cardinal Alderano Malaspina, fluttered an army of
gesticulating shapes. Over the door sat God the Father, dressed in a
blue crêpe de Chine tunic and enveloped in a mantle of red velvet, which
fluttered in the divine afflatus as though it had been so much bunting.
His right hand was extended; and in obedience to the gesture a squadron
of angels went flying down one of the side walls towards the window. At
a _prie-Dieu_ in the far corner knelt Cardinal Malaspina, middle-aged,
stout, with a _barbiche_ and moustache, and looking altogether, Irene
thought, like the current British idea of a French chef. The Archangel
Michael, at the head of his troop of Principalities and Powers, was
hovering in the air above him, and with an expression on his face of
mingled condescension and respect—condescension, inasmuch as he was the
plenipotentiary of the _Padre Eterno_, and respect, in view of the fact
that His Eminence was a brother of the Prince of Massa Carrara—was
poising above the prelate’s head the red symbolic hat that was to make
him a Prince of the Church. On the opposite wall the Cardinal was
represented doing battle with the powers of darkness. Dressed in scarlet
robes he stood undaunted on the brink of the bottomless pit. Behind him
was a carefully painted view of the Malaspina palace, with a group of
retainers and handsome coaches in the middle distance and, immediately
behind their Uncle, whom they gallantly supported by their prayers, the
Cardinal’s nephews. From the pit came up legions of hideous devils who
filled the air with the flapping of their wings.
Public-domain text, read in full here on John Shaqi.
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