Artists and patrons -- Fiction; Authors and readers -- Fiction; Humorous stories; Italy -- Fiction; Satire
Miss Thriplow stopped writing and thought of the specimens she had
known. There was a surprisingly large number of them. Every human being
is inclined to see his own qualities and weaknesses in others.
Inevitably: since his own mental and moral attributes are the only ones
of which he has any personal experience. The man who visualises his
multiplication table in a fantastic and definite picture imagines that
all other men must do the same; the musician cannot conceive of a mind
that is irresponsive to music. Similarly the ambitious man presumes that
all his fellows are actuated by his own desire to achieve distinction
and power. The sensualist sees sensuality everywhere. The mean man takes
it for granted that everybody else is mean. But it must not be thought
that the possessor of a vice who sees his own weakness in all his
fellows therefore condones that weakness. We rarely give our own
weaknesses their specific name, and are aware of them only in a vague
and empirical fashion. The conscious and educated part of us condemns
the vice to which we are congenitally subject. At the same time, our
personal knowledge of the vice—a knowledge not conscious or
intellectual, but obscure, practical and instinctive—tends to direct the
attention of the superficial, educated part of the mind to
manifestations of this particular weakness, tends even to make it detect
such manifestations when they do not exist; so that we are constantly
struck by the ludicrous spectacle of the avaricious passionately
condemning avarice in others much more generous than themselves, of the
lascivious crying out on lasciviousness, the greedy criticising greed.
Their education has taught them that these vices are blameworthy, while
their personal and empirical knowledge of them causes them to take a
special interest in these weaknesses and to see signs of them
everywhere.
Public-domain text, read in full here on John Shaqi.
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