Artists and patrons -- Fiction; Authors and readers -- Fiction; Humorous stories; Italy -- Fiction; Satire
At Spoleto they stopped for lunch and the frescoes of Filippo Lippi, a
painter Mrs. Aldwinkle particularly admired for having had the strength
of mind, though a friar, to run off with a young girl at a Convent
School. The shadowy apse was melodious with pious and elegant shapes and
clear, pure colours. Anal-erotism was still the handmaid of incestuous
homosexuality, but not exclusively. There was more than a hint in these
bright forms of anal-erotism for anal-erotism’s sake. But the designer
of that more than Roman _cinquecento_ narthex at the west end of the
church, he surely was a pure and unmixed coprophilite. How charming is
divine philosophy! Astrology, alchemy, phrenology and animal magnetism,
the N-rays, ectoplasm and the calculating horses of Elberfield—these
have had their turn and passed. We need not regret them; for we can
boast of a science as richly popular, as easy and as all-explanatory as
ever were phrenology or magic. Gall and Mesmer have given place to
Freud. Filippo Lippi once had a bump of art. He is now an incestuous
homosexualist with a bent towards anal-erotism. Can we doubt any longer
that human intelligence progresses and grows greater? Fifty years hence,
what will be the current explanation of Filippo Lippi? Something
profounder, something more fundamental even than faeces and infantile
incestuousness; of that we may be certain. But what, precisely what, God
alone knows. How charming is divine philosophy!
“I like vese paintings,” Lord Hovenden whispered to Irene.
They set out again. Over the pass of the Somma, down the long winding
gorge to Terni.
On across the plain (the mountains bristling jaggedly all round) and up
the hill to Narni; Narni that hangs precariously on the brink of its
deep precipitous valley; on into the Sabine hills.
Sabine, Sabine—how wildly the mere word deviated the machine from its
course! _Eheu, fugaces_, how the days draw in—was not that first said,
first elegantly and compellingly said, in a Sabine farm? And the Sabine
women! Only Rubens knew what they looked like and how they ought to be
raped. How large and blonde they were! What glossy satin dresses they
had on, what pearls! And their Roman ravishers were tanned as brown as
Indians. Their muscles bulged; their eyes, their polished armour
flashed. From the backs of their prancing horses they fairly dived into
the foaming sea of female flesh that splashed and wildly undulated
around them. The very architecture became tumultuous and orgiastic.
Those were the high old times. Climbing from Narni, they drove into the
heart of them.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account