Artists and patrons -- Fiction; Authors and readers -- Fiction; Humorous stories; Italy -- Fiction; Satire
“You’ve made it almost impossible to talk anything but nonsense,” Calamy
objected. But in the end he allowed himself to be persuaded.
Embarrassed, rather awkwardly—for the spiritual atmosphere in which
these ideas had been ruminated was dissipated, and it was in the void,
so to speak, in the empty cold that his thoughts now gasped for
breath—he began his exposition. But gradually, as he spoke, the mood
returned; he became at home once more with what he was saying. Mary
listened with a fixed attention of which, even in the darkness, he was
somehow conscious.
“Well, you see,” he started hesitatingly, “it’s like this. I was
thinking of all the different ways a thing can exist—my hand for
example.”
“I see,” said Mary Thriplow sympathetically and intelligently. She was
almost too anxious to prove that she was listening, that she was
understanding everything; she saw before there was anything to see.
“It’s extraordinary,” Calamy went on, “what a lot of different modes of
existence a thing has, when you come to think about it. And the more you
think, the more obscure and mysterious everything becomes. What seemed
solid vanishes; what was obvious and comprehensible becomes utterly
mysterious. Gulfs begin opening all around you—more and more abysses, as
though the ground were splitting in an earthquake. It gives one a
strange sense of insecurity, of being in the dark. But I still believe
that, if one went on thinking long enough and hard enough, one might
somehow come through, get out on the other side of the obscurity. But
into what, precisely into what? That’s the question.” He was silent for
a moment. If one were free, he thought, one could go exploring into that
darkness. But the flesh was weak; under the threat of that delicious
torture it turned coward and traitor.
“Well?” said Mary at last. She moved closer to him, lightly, her lips
brushed across his cheek. She ran her hand softly over his shoulder and
along his arm. “Go on.”
“Very well,” he said in a business-like voice, moving a little away from
her as he spoke. He held up his hand once more against the window.
“Look,” he said. “It’s just a shape that interrupts the light. To a
child who has not yet learned to interpret what he sees, that’s all it
would be, just a shaped blotch of colour, no more significant than one
of those coloured targets representing a man’s head and shoulders that
one learns shooting on. But now, suppose I try to consider the thing as
a physicist.”
“Quite,” said Mary Thriplow; and from the movement of a floating tress
of her hair which brushed against his shoulder he knew that she was
nodding her head.
Public-domain text, read in full here on John Shaqi.
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