Artists and patrons -- Fiction; Authors and readers -- Fiction; Humorous stories; Italy -- Fiction; Satire
“Do you remember, darling Jim,” she wrote, “how, when we were ten, we
used to discuss what was the sin against the Holy Ghost? I remember we
agreed that using the altar as a W.C. was probably the unforgivable sin.
It’s a great pity that it isn’t, for then it would be so extremely easy
to avoid committing it. No, I’m afraid it’s not quite so straightforward
as that, the sin against the Holy Ghost. And it’s most perilously easy
to fall into it. Stifling the voices inside you, filling the mind with
so much earthy rubbish that God has no room to enter it, not giving the
spirit its fair chance—that’s the sin against the Holy Ghost. And it’s
unforgivable because it’s irremediable. Last-minute repentances are no
good. The sin and the corresponding virtue are affairs of a lifetime.
And almost everybody commits the sin; they die unforgiven, and at once
they begin again another life. Only when they’ve lived in the virtue of
the Holy Ghost are they forgiven, let off the pains of life and allowed
to sink into unity with All. Isn’t that the meaning of the text? It’s
terribly difficult not to commit the sin. Whenever I stop to think, I am
appalled by the badness of my own life. Oh, Jim, Jim, how easily one
forgets, how unthinkingly one allows oneself to be buried under a
mountain of little earthy interests! The voices are muffled, the mind is
blocked up, there’s no place for the spirit of God. When I’m working, I
feel it’s all right; I’m living in the virtue of the Holy Ghost. For
then I’m doing the best I can. But the rest of the time, that’s when I
go wrong. One can’t be doing all the time, one can’t always give out.
One must also be passive, must receive. That’s what I fail to do. I
flutter about, I fill my mind with lumber, I make it impossible for
myself to receive. One can’t go on like this; one can’t go on sinning
against the Holy Ghost—not if one once realises it.”
There was a line. The next note began: “To think steadily and intensely
of one thing is a wonderful mental exercise; it serves to open up the
mysteries that lie below the commonplace surface of existence; and
perhaps, if one went on thinking long enough and hard enough, one might
get through the mystery to its explanation. When I think, for example,
of my hand....” The note was a long one; it covered, in Miss Thriplow’s
clear, cultured writing, more than two pages of the book.
“Recently,” she had written after that, “I have been saying my prayers
again, as I used to when I was a child. Our Father which art in
heaven—the words help to clear out one’s mind, to rid it of the lumber
and leave it free for the coming of the spirit.”
The next three notes had got there by mistake. Their place was not in
the secret, personal book, but in the other volume, wherein she recorded
little snippets that might come in useful for her novels. Not, of
course, that the entries in the secret book didn’t also come in useful
for her fiction sometimes; but they were not recorded expressly for that
purpose.
Public-domain text, read in full here on John Shaqi.
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