Artists and patrons -- Fiction; Authors and readers -- Fiction; Humorous stories; Italy -- Fiction; Satire
At five years old, among other things, I used to write poems which my
mother thoroughly and whole-heartedly enjoyed. There was one about larks
which she still preserves, along with the locks of my pale childish
hair, the faded photographs, the precocious drawings of railway trains
and all the other relics of the period.
Oh, lark, how you do fly
Right up into the sky.
How loud he sings
And quickly wags his wings.
The sun does shine,
The weather is fine.
Father says, Hark,
Do you hear the lark?
My mother likes that poem better, I believe, than anything I have
written since. And I daresay that my father, if he had lived, would have
shared her opinion. But then he was an ardent Wordsworthian. He knew
most of the _Prelude_ by heart. Sometimes, unexpectedly breaking that
profound and god-like silence with which he always enveloped himself, he
would quote a line or two. The effect was always portentous; it was as
though an oracle had spoken.
I remember with particular vividness one occasion when Wordsworth broke
my father’s prodigious silence. It was one Easter time, when I was about
twelve. We had gone to North Wales for the holidays; my father liked
walking among hills and even amused himself occasionally with a little
mild rock climbing. Easter was early that year, the season backward and
inclement; there was snow on all the hills. On Easter Sunday my father,
who considered a walk among the mountains as the equivalent of
church-going, suggested that we should climb to the top of Snowdon. We
started early; it was cold; white misty clouds shut off the distant
prospects. Silently we trudged upwards through the snow. Like the page
of King Wenceslas I followed in my father’s footsteps, treading in the
holes he had kicked in the snow. Every now and then he would look round
to see how I was getting on. Icy dewdrops hung in his brown beard.
Gravely he smiled down on me as I came panting up, planting my small
feet in his large tracks. He was a huge man, tall and broad-shouldered,
with a face that might have been the curly-bearded original of one of
those Greek busts of middle-aged statesmen or philosophers. Standing
beside him, I always felt particularly small and insignificant. When I
had come up with him, he would pat me affectionately on the shoulder
with his large heavy hand, then turning his face towards the heights he
addressed himself once more to the climb. Not a word was spoken.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account