Artists and patrons -- Fiction; Authors and readers -- Fiction; Humorous stories; Italy -- Fiction; Satire
Hour after hour the stars
Move, and the moon towards remoter night
Averts her cheek.
Blind now, these gardens yet remember
That there were crimson petals glossy with light,
And their remembrance is this scent of roses.
Hour after hour the stars march slowly on,
And year by year mysteriously the flowers
Unfold the same bright pattern towards the sky.
Incurious under the streaming stars,
Breathing this new yet immemorial perfume
Unmoved, I lie along the tumbled bed;
And the two women who are my bedfellows,
Whose breath is sour with wine and their soft bodies
Still hot and rank, sleep drunkenly at my side.
Commendable, I should now think, this fixture of the attention upon the
relevant, the human reality in the centre of the pointless landscape. It
was just at the time I wrote this fragment that I was learning the
difficult art of this exclusive concentration on the relevant. They were
painful lessons. War had prepared me to receive them; Love was the
lecturer.
Her name was Barbara Waters. I saw her first when I was about fourteen.
She was a month or two older than I. It was at one of those enormous
water picnics on the Cherwell that were organised from time to time
during the summer vacation by certain fiery and energetic spirits among
the dons’ wives. We would start out at seven, half a dozen punt-loads of
us, from the most northerly of the Oxford boat-houses and make our way
up-stream for an hour or so until night had fairly set in. Then,
disembarking in some solitary meadow, we would spread cloths, unpack
hampers, eat hilariously. And there were so many midges that even the
schoolboys were allowed to smoke cigarettes to keep them off—even the
schoolgirls. And how knowingly and with what a relish we, the boys,
puffed away, blowing the smoke through our noses, opening our mouths
like frogs to make rings! But the girls always managed to make their
cigarettes come to pieces, got the tobacco into their mouths and, making
faces, had to pick the bitter-tasting threads of it from between their
lips. In the end, after much giggling, they always threw their
cigarettes away, not half smoked; the boys laughed, contemptuously and
patronisingly. And finally we packed ourselves into the punts again and
floated home, singing; our voices across the water sounded
praeternaturally sweet. A yellow moon as large as a pumpkin shone
overhead; there were gleamings on the crests of the ripples and in the
troughs of the tiny waves, left in the wake of the punts, shadows of
almost absolute blackness. The leaves of the willow trees shone like
metal. A white mist lay along the meadows. Corncrakes incessantly ran
their thumbs along the teeth of combs. A faint weedy smell came up from
the river; the aroma of tobacco cut violently across it in pungent
gusts; sometimes the sweet animal smell of cows insinuated itself into
Public-domain text, read in full here on John Shaqi.
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