Artists and patrons -- Fiction; Authors and readers -- Fiction; Humorous stories; Italy -- Fiction; Satire
I looked at her. Could she really have uttered those words? She was
still smiling as life itself might smile. And at that moment I had a
horrible premonition of what I was going to suffer. Nevertheless I asked
how soon I might see her again. To-night? Could she dine with me
to-night? Barbara shook her head; this evening she was engaged. What
about lunch to-morrow? “I must think.” And she frowned, she pursed her
lips. No, she remembered in the end, to-morrow was no good. Her first
moment of liberty was at dinner-time two days later.
I returned to my work that afternoon feeling particularly Martian. Eight
thick files relating to the Imperial Cellulose Company lay on my desk.
My secretary showed me the experts’ report on proprietary brands of
castor oil, which had just come in. A rubber tubing man was particularly
anxious to see me. And did I still want her to get a trunk call through
to Belfast about that linen business? Pensively I listened to what she
was saying. What was it all for?
“Are men often silly about you, Miss Masson?” it suddenly occurred to me
to ask. I looked up at my secretary, who was waiting for me to answer
her questions and tell her what to do.
Miss Masson became surprisingly red and laughed in an embarrassed,
unnatural way. “Why, no,” she said. “I suppose I’m an ugly duckling.”
And she added: “It’s rather a relief. But what makes you ask?”
She had reddish hair, bobbed and curly, a very white skin and brown
eyes. About twenty-three, I supposed; and she wasn’t an ugly duckling at
all. I had never talked to her except about business, and seldom looked
at her closely, contenting myself with being merely aware that she was
there—a secretary, most efficient.
“What makes you ask?” A strange expression that was like a look of
terror came into Miss Masson’s eyes.
“Oh, I don’t know. Curiosity. Perhaps you’ll see if you can get me
through to Belfast some time in the afternoon. And tell the rubber
tubing man that I can’t possibly see him.”
Miss Masson’s manner changed. She smiled at me efficiently,
secretarially. Her eyes became quite impassive. “You can’t possibly see
him,” she repeated. She had a habit of repeating what other people had
just said, even reproducing like an echo opinions or jokes uttered an
instant before as though they were her own. She turned away and walked
towards the door. I was left alone with the secret history of the
Imperial Cellulose Company, the experts’ report on proprietary brands of
castor oil, and my own thoughts.
Two days later Barbara and I were dining very expensively at a
restaurant where the diners were able very successfully to forget that
the submarine campaign was in full swing and that food was being
rationed.
“I think the decorations are so pretty,” she said, looking round her.
“And the music.” (Mrs. Cloudesley Shove thought the same of the Corner
Houses.)
Public-domain text, read in full here on John Shaqi.
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