Those Times and TheseCobb, Irvin S. (Irvin Shrewsbury)
General
Those Times and These
Cobb, Irvin S. (Irvin Shrewsbury)
Short stories, American; United States -- Social life and customs -- 20th century -- Fiction
After supper he sat on the porch, while the long twilight gloomed into
dusk and the dusk into night. He was half-minded to walk downtown in the
hope of finding congenial company at Soule's drug store, the favoured
loafing place of his dwindling set of cronies. But he changed his mind.
Since Mr. Soule, growing infirm, had taken a younger man for a partner,
the drug store was changed. Its old-time air of hospitality and comfort
had somehow altered.
The judge smoked on, rocking back and forth in his chair. The bull bats,
which had been dodging about in the air as long as the daylight lasted,
were gone now, and their shy cousin, the whippoorwill, began calling
from down in the old Enders orchard at the far end of the street. Two
or three times there came to Judge Priest's ears the sound of footsteps
clunking along the plank sidewalk on his side of the road, and at that
he sat erect, hoping each time the gate hinges would whine a warning
of callers dropping in to bear him company. But the unseen pedestrians
passed on without turning in. The whippoorwill moved up close to Judge
Priest's side fence. A little night wind that had something on its mind
began with a mournful whispering sound to swish through the top of the
big cedar alongside the porch.
The judge stood it until nearly half-past nine o'clock. Even under the
most favourable circumstances a whippoorwill and a remorseful night
wind, telling its troubles to an evergreen tree, do not make what one
would call exhilarating company. He closed and locked the front door,
turned out the single gas light which burned in the hall and went up the
stairs. In its main design the house was Colonial--Southern Colonial.
But his bedroom was in an ell, above a side porch overlooking the
croquet ground, and this ell was adorned with plank curlicues under its
gables, and a square, ugly, useless little balcony, like a misplaced
wooden moustache, adhered to its most prominent elevation on the side
facing the front. The judge frequently said that, as nearly as he could
figure it out, the extension belonged to the Rutherford B. Hayes period
of American architecture.
Except for him the house was empty. Aunt Dilsey didn't stay on the place
at night and Jeff's sleeping quarters were over the stable at the back.
As Judge Priest felt his way through the upper hall and made a light
in his bedchamber, the house was giving off those little creaking,
complaining sounds from its joints that an old tired house always gives
off when it is lonely for a fuller measure of human occupancy.
Public-domain text, read in full here on John Shaqi.
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